Douglas Sirk, Aesthetic Modernism and the Culture of Modernity
- 208 Seiten
- 8 Lesestunden
With detailed case studies of 'Final Chord' and 'All That Heaven Allows', Victoria Evans demonstrates how Sirk attempted to dissolve the boundaries of cinema by assimilating elements of avant-garde art, architecture and design into the colour, composition and setting of many of his most well-known films.
