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Lettice Cooper

    Lettice Cooper schrieb bereits in jungen Jahren und studierte später Klassische Philologie in Oxford. Ihre literarische Karriere, die 1925 mit ihrem ersten Roman begann, erstreckte sich über viele Jahrzehnte. Im Laufe ihres Lebens engagierte sie sich in der Literaturszene als Romanautorin, Redakteurin und Rezensentin, wobei sie aufschlussreiche Kommentare zur zeitgenössischen Belletristik lieferte. Cooper war auch eine engagierte Verfechterin der Rechte von Schriftstellern und spielte eine Schlüsselrolle bei der Gründung von Organisationen und Kampagnen, die die literarische Landschaft maßgeblich beeinflussten.

    Tea on Sunday
    The New House
    National Provincial
    • National Provincial

      • 624 Seiten
      • 22 Lesestunden
      4,3(29)Abgeben

      National Provincial (first published in 1938) is first and foremost ‘a social-political novel, a sprawling panorama of West Riding life and politics in the mid 1930s’ (Rachel Reeves, MP for Leeds West in her Preface); the feminist plea is made almost obliquely because the author takes feminism for granted: it is thus a subtle feminism. It begins with an enticing description of Mary’s arrival home, her difficulties with her invalid mother and then her re-entry into local life. Just like Mrs Gaskell’s Wives and Daughters and Winifred Holtby’s South Riding, published in 1936, the novel evokes Yorkshire life in all its facets, as well as the everyday experience of a young woman living there

      National Provincial
    • The New House

      • 336 Seiten
      • 12 Lesestunden
      4,1(222)Abgeben

      'All that outwardly happens in The New House,' writes Jilly Cooper in her Persephone Preface, 'is over one long day a family moves from a large imposing secluded house with beautiful gardens to a small one overlooking a housing estate. But all the characters and their relationships with each other are so lovingly portrayed that one cares passionately what happens even to the unpleasant ones. The New House, first published in 1936, reminds me of my favourite author Chekhov, who so influenced Lettice's generation of writers. Like him, she had perfect social pitch and could draw an arriviste developer as convincingly as a steely Southern social butterfly.' 'It is tempting to describe Rhoda Powell, the 30-plus, stay-at-home daughter of a widowed mother, as Brookner-esque,' wrote the reviewer in the Guardian, 'even though Lettice Cooper wrote this wonderfully understated novel several decades before Anita Brookner mapped the defining features of quietly unhappy middle-class women.' Kate Chisholm in the Spectator described Lettice Cooper as 'an intensely domestic novelist, unraveling in minute detail the tight web of family relations' but one who is also 'acutely aware of what goes on beyond the garden gate. The exposé of a family under strain because of changing times is curiously more vivid and real than in many novels about family life written today.' -- publisher's website

      The New House
    • Tea on Sunday

      • 288 Seiten
      • 11 Lesestunden

      Set in the vintage mystery tradition, this detective story weaves psychological depth into its narrative. Lettice Cooper skillfully combines her literary sensibilities with a compelling plot, creating an engaging read that reflects the intricacies of human behavior. Originally published in 1973, it offers a classic take on the genre while exploring themes of intrigue and perception.

      Tea on Sunday