Metropolitan Museum of Art Reihenfolge der Bücher (Chronologisch)
Das Museum widmet sich dem Sammeln, Bewahren, Studieren und Ausstellen von Kunstwerken. Seine Mission ist es, die Wertschätzung zu fördern und das Wissen über Kunst zu erweitern, die das breiteste Spektrum menschlicher Errungenschaften auf höchstem Qualitätsniveau repräsentiert. Im Dienste der Öffentlichkeit hält die Institution höchste professionelle Standards ein. Seit über einem Jahrhundert wird es von seiner Gründungsurkunde geleitet, die darauf abzielte, das Studium der bildenden Künste und ihre Anwendung im praktischen Leben zu fördern.
Examines the Pre-Columbian, Colonial, Nineteenth Century, and Twentieth Century periods of Mexican art and artifacts
The Metropolitan Museum of Art: Metropolitan Children
- 112 Seiten
- 4 Lesestunden
Book by Metropolitan Museum of Art (New York, N.Y.)
La peinture française du XVIIe siècle dans les collections américaines
[exposition], Galeries nationales du Grand Palais, Paris, 29 janvier-26 ... septembre-28 novembre 1982
French
Metropolitan Cats
- 112 Seiten
- 4 Lesestunden
Showcase of cats featured in the Metropolitan Museum of Art's paintings, sculptures, prints, drawings, book illustrations, ceramics, lacquers & needlework. Illustrator: Grossman, Alvin, Published by Harry N. Abrams, Incl, N.Y. & Printed in Japan.
Age of Spirituality
Late Antique and Early Christian Art, Third to Seventh Century - Catalogue of the Exhibition at the Metropolitan Museum of Art, November 19, 1977, Through February 12, 1978
- 735 Seiten
- 26 Lesestunden
The first centuries of the Christian Era were marked by significant upheaval, transforming classical traditions through changes in political and social structures, warfare, and the rising influence of Christianity. While some historians view this as a decline of civilization, the art from this period reflects cultural experimentation. Artists moved away from classical realism yet continued to draw from the imagery of pagan and imperial Rome, creating works characterized by spiritual grace and abstraction. This innovative style emerged from the interaction of Eastern and Western Empires, various religions, and urban and provincial societies, shaping Byzantine and medieval artistic traditions. In November 1977, an extensive exhibition opened to the public, focusing on Late Antique and Early Christian art. It was the largest of its kind and recognized as one of the most significant educational exhibitions ever assembled by an art museum. Featuring 450 objects from over 110 institutions and private collections across fifteen countries, the exhibition presented this lesser-known period through five realms: Imperial, Classical, Secular, Jewish, and Christian. The diverse array of materials, styles, and techniques included delicate jewelry, carved ivory diptychs, rare manuscripts, monumental portraits, wall paintings, and floor mosaics. Architectural monuments, depicted in photomontage, offered insights into the lives of emperors an
