Amy Wallace Bücher

Clint Rollins hat ein perfektes Leben, bis er als FBI-Agent angeschossen wird und eine erschreckende Diagnose erhält. Seine Frau Sara, eine Onkologin, kämpft mit der Situation und ihren eigenen Überzeugungen. Während Clint trotz seiner Krankheit einen Serienmörder jagt, stellt er sich Fragen über Glauben und Vertrauen.

Bereits 1977 gaben David Wallechinsky und Amy Wallace ein Sammelsurium heraus, das allerlei kuriose Statistiken, Zitate und verrückte Informationen versammelte. Dieses Original hat viele Nachahmer gefunden, doch kein anderes Buch kuriosen Wissens ist so umfassend. Jetzt haben die beiden leidenschaftlichen Sammler ein völlig überarbeitetes Kompendium zusammengestellt – 'voller faszinierender, trivialer Informationen' (New York Times) und 'ein unglaublicher Spaß' (Wall Street Journal).

The book delves into Pixar's remarkable journey in animation, highlighting its groundbreaking films and the creative philosophies that fueled its success. Ed Catmull shares insights from his experiences founding Pixar, emphasizing the importance of fostering a supportive environment for creativity. He outlines key principles, such as valuing great teams over ideas and encouraging risk-taking within a safe framework. Through these lessons, Catmull illustrates how Pixar not only revolutionized animation but also set a standard for innovation and collaboration in the industry.

In 1986, Ed Catmull co-founded Pixar, a modest start-up with an immodest goal: to make the first-ever computer animated movie. Nine years later, Pixar released Toy Story, which went on to revolutionize the industry, gross $360 million, and establish Pixar as one of the most successful, innovative, and emulated companies on earth. This book details how Catmull built an enduring creative culture -- one that doesn't just pay lip service to the importance of things like honesty, communication, and originality, but committed to them, no matter how difficult that often proved to be. As he discovered, pursuing excellence isn't a one-off assignment. It's an ongoing, day-in, day-out, full-time job. And one he was born to do.

In a quiet town with a thriving Mennonite community, police officer Ashley Walters finds her threadbare faith and way of life challenged by the Plain people whose simple dress and welcoming manner open her eyes to a God she left behind. Peace eludes Ashley until she realizes the answers she seeks aren't found in starting over but in returning to the simple truth that it's God who overcomes the world, not her. Written for women who desire action-packed suspense, romance, and an escape into the peaceful world of the Mennonites, Hiding in Plain Sight delves into the painful struggle to fit in and the search for peace that so often eludes our fast-paced lives.

William James Sidis (1898-1944) was born to a psychologist with some unorthodox ideas about child rearing, attended Harvard at an absurdly young age, burned out at 14, and spent most of the rest of his life working menial jobs and living in poverty. Dubbed a ``failed prodigy'' by the popular press, he lived out his years as an eccentric and a recluse. The truth is a lot more complex than this, and the "failure" a matter of perspective, as shown in this remarkable biography.Wallace's book, the only biography of this most enigmatic of prodigies, gives us a balanced look at Sidis' up-bringing and a somewhat revisionist look at his later life. Sidis apparently was hard at work on manuscripts of various sorts even during his later years; this book is to my knowledge the only one that gives an account of that later work, which dealt with American Indians. New manuscripts by Sidis have surfaced since the writing of this book, including a book on traffic accident patterns.

As a young man, Ed Catmull had a dream: to make the world's first computer-animated movie. He nurtured that dream first as a Ph. D. student at the University of Utah, where many computer science pioneers got their start, and then forged an early partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. Since then, Pixar has dominated the world of animation, producing such films as Monsters, Inc., Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner twenty-seven Academy Awards. Now, in this book, Catmull reveals the ideals and techniques, honed over years, that have made Pixar so widely admired -- and so profitable. Creativity, Inc. is a book for managers who want to lead their employees to new heights, a manual for anyone who strives for originality, and the first-ever, all-access trip into the nerve center of Pixar Animation Studios -- into the story meetings, the postmortems, and the 'Braintrust' sessions where art is born