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Philip Hensher

    20. Februar 1965

    Philip Henshers Schriften zeichnen sich durch eine ironische, wissende Distanz und eine eiskalt präzise Sezierung von Prätention und Heuchelei aus, wobei er oft menschliche Beziehungen und gesellschaftliche Schichten erforscht. Seine historischen Romane hallen im Rhythmus und der Sprache von Volksmärchen wider und spielen spielerisch mit Erzählformen. Henshers unverwechselbare Stimme und seine scharfen Beobachtungen machen sein Werk zu einem bedeutenden Beitrag zur zeitgenössischen britischen Literatur. Neben seiner Fiktion ist er ein angesehener Kritiker und Essayist, der seinen scharfen Intellekt in den literarischen Diskurs einbringt.

    Philip Hensher
    The Penguin Book of the Contemporary British Short Story
    The Golden Age of British Short Stories 1890-1914
    The Friendly Ones
    BP Portrait Award 2005
    Die andere Lulu
    Die Stadt hinter der Mauer
    • Die Stadt hinter der Mauer

      Roman

      • 356 Seiten
      • 13 Lesestunden

      New Year’s Eve, 1988. Two people are dancing an inexpert tango in no-man’s-land as snow falls. Who, what, are they waiting for? Philip Hensher’s Berlin is a city of escape and hiding, where wary obsessions form and grow. Shady Mr Picker has a dream of a rose-coloured dawn; he knows he could change history by introducing pleasure to the East – or, at any rate, large consignments of chemical bliss. And maybe he’s right; history is on the move, glimpsed through a seedy landscape of bars and bedsits, small-scale terrorism and large deceptions.

      Die Stadt hinter der Mauer
      3,4
    • BP Portrait Award 2005

      • 80 Seiten
      • 3 Lesestunden

      Published to accompany the exhibition held at the National Portrait Gallery, London, 15 June - 25 September 2005, Sunderland Museum and Winter Gardens, Sunderland, 6 October - 27 November 2005, Scottish National Portrait Gallery, Edinburgh, 17 December 2005 - 12 March 2006.

      BP Portrait Award 2005
      4,4
    • The Friendly Ones

      • 579 Seiten
      • 21 Lesestunden

      'It's the book you should give someone who thinks they don't like novels ... Here is surely a future prizewinner that is easy to read and impossible to forget' Melissa Katsoulis, The Times The things history will do at the bidding of love

      The Friendly Ones
      3,8
    • 'Excellent, entertaining and ingenious ... from Oscar Wilde to Arthur Conan Doyle, this fine anthology celebrates one of the richest moments in Britain's literary history' Sunday Times The quarter century or so before the outbreak of the First World War saw an extraordinary boom in the popularity and quality of short stories in Britain. Fuelled by a large new magazine readership and vigorous competition to acquire new stories and develop the careers of some of our greatest writers, these years were ones where the normal rule-of-thumb (novels sell, short stories don't) was inverted. This was the era of Sherlock Holmes, of Kipling's most famous stories, of M. R. James, Katherine Mansfield and Joyce's Dubliners. Some of the greatest writers of the period - particularly Conrad and James - found that the effort that went into their shorter works was more rewarded during their lifetimes than their now famous novels. Writers such as Mansfield, Chesterton, Beerbohm, Lawrence and Saki produced some of their greatest work. Short stories also provided a brilliant medium for experiment, and this generous and endlessly entertaining anthology includes fascinating examples of writers as varied as Rebecca West, James Joyce, H.G. Wells and Wyndham Lewis experimenting with what it was acceptable to write and how you could write it.

      The Golden Age of British Short Stories 1890-1914
      3,8
    • 'Sometimes - not often - a book comes along that feels like Christmas. Philip Hensher's timely, but timeless, selection of the best short stories from the past 20 years is that kind of book. His introduction is as enriching as anything that has been published this year' Sunday Times A spectacular treasury of the best British short stories published in the last twenty years We are living in a particularly rich period for British short stories. Despite the relative lack of places in which they can be published, the challenge the medium represents has attracted a host of remarkable, subversive, entertaining and innovative writers. Philip Hensher, following the success of his definitive Penguin Book of British Short Stories, has scoured a vast trove of material and chosen thirty great stories for this new volume of works written between 1997 and the present day. Includes short stories by A.L. Kennedy, Tessa Hadley, Kazuo Ishiguro, Jackie Kay, Graham Swift, Jane Gardam, Ali Smith, Neil Gaiman, Martin Amis, China Miéville, Peter Hobbs, Thomas Morris, David Rose, David Szalay, Irvine Welsh, Lucy Caldwell, Rose Tremain, Helen Oyeyemi, Leone Ross, Helen Simpson, Zadie Smith, Will Self, Gerard Woodward, James Kelman, Lucy Wood, Hilary Mantel, Eley Williams, Sarah Hall, Mark Haddon and Helen Dunmore.

      The Penguin Book of the Contemporary British Short Story
      3,8
    • Der junge Literaturwissenschaftler Roland Michell stößt auf einen unbekannten Liebesbrief des berühmten Dichters Randolph Henry Ash – ein sensationeller Fund und die große Chance für den perspektivlosen Forscher. Mit der Hilfe seiner Kollegin Maud Bailey versucht er, Ashs Geheimnis zu enthüllen. Bei der Jagd nach beweiskräftigen Dokumenten stürzen sich Roland und Maud in eine leidenschaftliche Affäre – und verstricken sich immer tiefer in ein Netz aus ominösen Intrigen und gefährlichen Verwicklungen: Denn sie sind nicht allein auf der Suche nach der geheimnisvollen Adressatin …

      Besessen
      3,8
    • The Northern Clemency

      • 738 Seiten
      • 26 Lesestunden

      The award-winning author of "The Mulberry Empire" presents a sweeping chronicle of ordinary lives that are profoundly shaped by both the subtleties of everyday experience and the larger forces of history.

      The Northern Clemency
      3,6
    • ‘A brilliantly conceived and audacious novel from one of our most consistently intelligent and beguiling writers’ William Boyd ‘Surefooted and emotionally generous … A serious achievement’ Guardian ‘Masterful’ Telegraph

      To Battersea Park
      3,3