Das Buch behandelt die indische Theaterbewegung Jana Sanskriti und deren Gründer Sanjoy Ganguly, die laut Augusto Boal bedeutende Vertreter des „Theaters der Unterdrückten“ außerhalb Brasiliens sind. Es thematisiert Macht, Hierarchie, Bildung und Demokratie in einer performativen Ästhetik des „Theater als Politik“.
Jana Sanskriti stands out as a leading example of post-Boalian Theatre of the Oppressed, gaining international recognition for its innovative approach. The organization emphasizes the power of theatre as a tool for social change, engaging communities in critical dialogue and performance. Through its unique methods, it empowers marginalized voices and fosters a deeper understanding of societal issues, making it a significant force in contemporary theatre and activism.