Thierry Paulin A Black Tragedy
- 176 Seiten
- 7 Lesestunden
Thierry Paulin A Black Tragedy centers around the tragic life of a Parisian and Martinican serial killer who murdered more than twenty old ladies between 1984 and 1987 in Paris.
VKY widmet sich in ihrer Arbeit den drängenden Themen von Rasse, Identität und Brutalität und teilt ihre intimsten Geschichten. Sie erforscht die Erfahrungen von Schwarzen in Europa und nutzt ihre literarische Stimme, um den Postkolonialismus tiefgründig zu untersuchen, insbesondere durch Kunstformen wie französischen Rap. Ihre Schriften befassen sich auch mit der Erforschung von 'Blackness' in der arabischen Welt und den psychologischen Traumata junger schwarzer Jungen in europäischen Ghettos. VKY schreibt sowohl auf Französisch als auch auf Englisch, und ihre einzigartige Perspektive bereichert die literarische Landschaft.






Thierry Paulin A Black Tragedy centers around the tragic life of a Parisian and Martinican serial killer who murdered more than twenty old ladies between 1984 and 1987 in Paris.
In this political essay, French-Belgian author and historian VKY (Victoria Kabeya) questions the sincerity of the political leftist party regarding their exploitation of black minorities in the Western sphere. Since 2014, with the emergence of protests against police brutality and racism, the great Occident has been shattered from within by inner forces which used the marketing of black pain and rage to nurture destruction. These protests have also revealed the treason of the new generation of pro-Black activists who have now managed to insert the fight for Black rights within the spectrum of mercantilism and thus, aborted the social and spiritual work promoted by the former Black Panthers, among many others. In a global sphere where sincerity and sovereignty are threatened, the political left will have no other choice but to face the "black monster" they have created over the years. This comparative essay focuses on the state of the African-American and the French African communities.
History of multiracial whiteness throughout world evolution
History book by author and historian VKY, formerly known as Victoria Kabeya, regarding the place of the indigenous black populations from the Levant and their consequences of their experience under the endless foreign colonial dominant entities.
FROM CANAANITES TO AFRO-PALESTINIANS: CRUSHING THE AFRICAN LEGACY OF THE LEVANTIn this history book, which is a follow up to all previous works written about the Black Palestinian community, author and historian VKY begins with the Natufians, the earliest African settlers of the Levant to understand the fragile position of the Canaanites before and after the invasion by Alexander The Great in 332 BC, an event which changed the story of Northeast Africa for ever.
Lisboa is the latest English publication by author VKY (Victoria Kabeya) under Editions Canaan. Written during the 2020 lockdown, the author having found refuge in Portugal, it is a personal and autobiographical work, but also a social critique and observation about the desillusion of the hidden Lisbon. The book is the testimony of an outsider who witnesses the social and racial exclusion of the Afro-Portuguese community in Portugal.
Social and political essay exposing the colonial mechanisms lying behind the new phenomenon known as "transraciality".
In Africa In The Mediterranean, VKY explores the deep origins of the Black minorities found in Avato, Grecce and the Afro-Turks. Though described as the descendants of African Zanj slaves brought in the area by the Ottomans, they are the remnants of an ancient Mediterranean race which has been present in the area since the Late Bronze Age and whose roots could be found in Ancient Egypt and Canaan. The study leads the reader to discover unknown Black remnants in Albania, Montenegro, Georgia, Turkey, Greece and Cyprus.
Short political note on the manipulative French African organizations and their ability to play with the emotions of their people to obtain power.
Though celebrated for his creativity, performances and voice, Michael Jackson, through the perfection of the art of video, was one of the very first Black American artists to have used television and the screen to elevate Black bodies. Plagued by the false accusations of child molestation and attacked for the change of his skin tone, the man left a great impact when it comes to the fight for the reappropriation of the Black American body in arts. In this very short note, VKY invites the readers to rediscover a side of Jackson which has always been unfairly overlooked.