Murray Pomerance Bücher

Vom umschwärmten „Bad Boy“ zum coolen Einzelgänger – Johnny Depp hat seit den 1990ern die Medien fasziniert und internationalen Ruhm erlangt. Sein exzentrisches Image, seine unkonventionelle Schauspielkarriere, sein gutes Aussehen und sein eigenartiger Charme ziehen Aufmerksamkeit auf sich. In dieser Betrachtung wird die Faszination für Depp, seine komplexe Persönlichkeit und seine kulturelle Bedeutung untersucht. Der Autor geht über Depps packendes Privatleben hinaus und beleuchtet seine rätselhaften Leinwanddarstellungen, von „Nightmare – Mörderische Träume“ bis „Das geheime Fenster“. Es wird ein facettenreiches Bild des Schauspielers gezeichnet, das seine ethnische Zugehörigkeit, seine Gewohnheiten, seine Ruhe und seine Verbindung zum Schaurigen sowie zu verschiedenen kulturellen Strömungen umfasst. Anhand seiner Schlüsselrollen, darunter Rafael in „The Brave“ und Jack Kerouac in „Die Beat Generation“, werden Themen wie männliche Sexualität, Reisen, optisches Erleben und Kapitalismus behandelt. Depp wird als zentraler Filmdarsteller unserer Zeit und als Symbol der Darstellung enthüllt, was seine anhaltende Faszination unterstreicht.

America in the 1950s was a place of sensational commercial possibility coupled with dark nuclear fears and conformist politics. Cold war hysteria and anti-communist witch hunts influenced a culture already falling under the spell of suburbia, television and a brave new world of luxury goods.Throughout the decade Hollywood was under siege: from the Justice Department pressing for big film companies to divest themselves of their theatre holdings; from the middle classes, whose retreat to family entertainment inside the home drastically decreased the film-going audience; and from the House Un-American Activities Committee, attempting to purge the country of dissenting political views. This tumultuous decade also saw some of Hollywoods most talented filmmakers - John Ford, Alfred Hitchcock, Vincente Minnelli, Nicholas Ray and Billy Wilder - producing some of the best-loved movies in the history of cinema, including From Here to Eternity, Sunset Boulevard., Singin' in the Rain, Shane, Rear Window, and Rebel Without a Cause.

Explores virtuosic performance in film, ranging from classical works through to contemporary productions--

Michelangelo Antonioni, who died in 2007, was one of cinema's greatest modernist filmmakers. This book demonstrates why the color films that followed are, in fact, Antonioni's greatest works. It discusses The Red Desert, Blow- Up, Professione: Reporter (The Passenger), and others to analyze the director's subtle and complex use of color.

Eminent Hitchcock specialist Murray Pomerance offers an illuminating account of one of Hitchcock's most successful films, The Man Who Knew Too Much (1956), starring James Stewart and Doris Day.

Acknowledgments§The Story§1. Fugue§2. Droit du seigneur§3. Confederacy§4. Face-Off§5. I Remember Mama§Notes§Credits§Bibliography§

The book delves into the theme of voyage as depicted in six iconic Hitchcock films, exploring how each narrative reflects the journey of characters both physically and psychologically. Through in-depth analysis of "Psycho," "The 39 Steps," "The Birds," "Dial M for Murder," "Rich and Strange," and "Suspicion," it examines the intricate storytelling techniques and visual motifs Hitchcock employs to convey tension and transformation. This exploration reveals deeper insights into the filmmaker's artistic vision and the universal nature of journeys in cinema.

Exploring the theme of silence, this work delves into Alfred Hitchcock's films, analyzing how the absence of sound enhances storytelling and character development. It examines the psychological and emotional impacts of silence, revealing its significance in building tension and atmosphere. Through detailed film analysis, the book uncovers Hitchcock's mastery in using silence as a narrative tool, offering insights into his unique cinematic style and the deeper meanings behind his iconic works.

Exploring the challenges of articulating the cinematic experience, this book examines a wide array of films and television shows, from On the Waterfront to Marriage Story. It begins with Julian Jaynes's insights on vocality and imagination, leading into three movements that provoke readers to reconsider their perceptions of cinema. Through analysis of disturbances and surprises in viewing, Pomerance invites contemplation on the limitations of language in capturing the essence of film, urging a deeper understanding of what we perceive and express about cinema.

The narrative delves into the dynamic partnership of a performing duo, highlighting their creative journey and evolution over a decade from 1946 to 1956. Through a nonlinear approach, the book captures the essence of their collaboration, exploring the challenges and triumphs that shaped their performances and personal lives. This exploration offers insights into the artistic process and the intricacies of their relationship, making it a compelling read for fans of performance art and historical collaborations.