M. John Harrison Bücher

Viriconium, die Stadt am Ende der Zeit, ist die letzte Metropole einer sterbenden Erde. Dort herrscht eine dekadente Adelsgesellschaft. Als die Erde von Insektenwesen aus dem Inneren des Mondes überfallen wird, muß der Adel Viriconiums zum letzten Mal in den Kampf ziehen.

Er ist der perfekte Sternenkrieger, der beste Mann für diesen Job, den man sich nur vorstellen kann: Er hat nämlich zwei rechte Arme - was in jeder Hinsicht enorm praktisch ist - und er hat sich ein paar ungeheuer eindrucksvolle Hauer implantieren lassen, vor denen seine Gegner erzittern...

Eines Tages entdecken Radioastronomen eine Zone in der Galaxis, in der alle bekannten Regeln der Physik ihre Gültigkeit verlieren und in der es von Artefakten nichtmenschlicher Kulturen nur so wimmelt. Jahrhunderte nach dieser Entdeckung beginnt sich diese Zone zu verändern – und langsam auf die von Menschen bewohnten Welten auszuweiten … Nach seinem Erfolgsroman „Licht“ stellt M. John Harrison einmal mehr unter Beweis, dass er der unerreichte Meister der zeitgenössischen Science Fiction ist.

Das Science-Fiction-Ereignis des Jahres! Mit „Licht“ legt der englische Starautor M. John Harrison den ersten definitiven Science-Fiction-Roman des 21. Jahrhunderts vor: Eine atemberaubende Achterbahnfahrt durch Zeit und Raum, ein Buch, so voller Energie und Einfälle, dass man nur staunen kann. Wofür andere Autoren mehrbändige Zyklen benötigen und George Lucas sechs Filme - dafür genügt Harrison dieser eine Roman!

Der Wissenschaftler Michael Kearney ist mit der Arbeit an dem neuen Quantencomputer beschäftigt, als ihm zunehmend unwirkliche Erscheinungen aus seiner Vergangenheit zu schaffen machen. Vierhundert Jahre später hat eine Frau, die mit dem Bewusstsein eines Raumschiffs verbunden ist, mit demselben Problem zu kämpfen. Einem Problem, das offenbar die Struktur des Universums durchzieht. Doch dann machen beide eine unfassbare Entdeckung, die das Schicksal der Menschheit für immer verändern wird.

Seit Jahrzehnten unter den Top Ten der besten SF-Bücher aller Zeiten: M. John Harrisons legendärer Roman "Das Centauri-Spiel", mit dem der Autor des Bestsellers "Licht" das Genre der Space-Opera revolutionierte. Ohne ihn hätte es Autoren wie Peter F. Hamilton, Alastair Reynolds oder Charles Stross nie gegeben. In erstmals ungekürzter und vollständig überarbeiteter Neuausgabe.

"They stepped into the poem and disappeared forever."--George BarkerThe NEW Oxford Treasury of Children's Poems is a perfect introduction to the magic world of poetry. There is something here to please everyone. Familiar, well-loved poems, and many new surprises, are brought together in a beautiful illustrated collection that is full of Jumblies and dragons; wiseold women and baby brothers; dogs, horses, and cats that howl at the moon. There are trains and talking tables; schools and scary houses; moms, dads, bears, and crocodiles. The choice of poets is wide-ranging, from Robert Louis Stevenson on dreams and Rudyard Kipling's "The Way through the Woods,"to June Crebbin's ode to a dad whose "face looks sort of lonely/Without its fuzzy beard." There is a poem from Frank Asch about sunflakes--"We could go sleighing/in the middle of July"--and one from Lewis Carroll about a cheerful crocodile who "welcomes little fishes in,/With gently smiling jaws."Poems by W. B. Yeats; Edward Lear; Alfred, Lord Tennyson; A. E. Housman; and W. H. Auden fill out this delightful collection that is a companion to The Oxford Treasury of Children's Poems , one of OUP's most successful poetry books for children. Throughout the book, charming color illustrationscomplement the liveliness and atmosphere of the poems.

"Throughout his career, M. John Harrison's writing has defied categorisation, building worlds both unreal and all-too real, overlapping and interlocking with each other. His stories are replete with fissures and portals into parallel dimensions, unidentified countries and lost lands. But more important than the places they point to are the obsessions that drive the people who so believe in them, characters who spend their lives hunting for, and haunted by, clues and maps that speak to the possibility of somewhere else.This selection of stories, drawn from over 50 years of writing, bears witness to that desire for difference: whether following backstreet occultists, amateur philosophers, down-and-outs or refugees, we see our relationship with 'the other' in microscopic detail, and share in Harrison's rejection of the idea that the world, or our understanding of it, could ever be settled."--Provided by publisher

The beloved cult classic from the winner of the 2020 Goldsmiths Prize: a novel of life-changing moments, incredible descriptions of landscape and the power of an obsession.

No touring holiday is complete without one of these essential guides. The driving guides series holds a range of 23 titles offering an extensive list of destinations for you to choose from. They contain everything the self-drive traveller needs en route, with exciting detours away from the main tourist trail.

One of our greatest and most original living writers sets out the perils of the writing life with joyful provocation

EMPTY SPACE is a space adventure. We begin with the following dream: An alien research tool the size of a brown dwarf star hangs in the middle of nowhere, as a result of an attempt to place it equidistant from everything else in every possible universe. Somewhere in the fractal labyrinth beneath its surface, a woman lies on an allotropic carbon deck, a white paste of nanomachines oozing from the corner of her mouth. She is neither conscious nor unconscious, dead nor alive. There is something wrong with her cheekbones. At first you think she is changing from one thing into another - perhaps it's a cat, perhaps it's something that only looks like one - then you see that she is actually trying to be both things at once. She is waiting for you, she has been waiting for you for perhaps 10,000 years. She comes from the past, she comes from the future. She is about to speak... EMPTY SPACE is a sequel to LIGHT and NOVA SWING, three strands presented in alternating chapters which will work their way separately back to this image of frozen transformation.

This is Elric-like in its presentation. It wouldn't be surprising if the author (at the time of publication, still in his twenties) was strongly influenced by Moorcock's style of writing & subject matter. In a far-future world where technology is on the decline & swords & sorcery on the rise, a civil war in Earth's last great kingdom threatens to destroy civilization. The aggressor kingdom has unearthed ancient relics of the past it cannot control. Overall the story moves pretty quickly, with some relatively memorable characters with forgettable names. The ending is cliched. Earth has evidently gone through several cycles of decline & rebirth (Midsummer Century, anyone?). Even the ancient artifacts & places don't bear any recognizable resemblance to things known today. That lends things a bit too much unreality. Others may find the far future vista refreshing.--Caleb N. Diffell (edited)

(An omnibus volume contains all the Viriconium stories, originally published in four The Pastel City, A Storm of Wings, In Viriconium, and Viriconium Nights, this landmark collection gathers four groundbreaking fantasy classics from the acclaimed author of Light)

Chronicles the symbiotic relationship between Mike Rose--head of a courier company that serves the genetics industry, and Isobel Avens--a woman twenty years younger than he and obsessed with the desire to fly

In Viriconium, the young men whistle to one another all night long as they go about their deadly games. If you wake suddenly, you might hear footsteps running, or an urgent sigh. After a minute or two, the whistles move away in the direction of the Tinmarket or the Margarethestrasse. The next day, some lordling is discovered in the gutter with his throat cut. Who can tell fantasy from reality, magic from illusion, hero from villain, man from monster ... in Viriconium? Published here for the first time in one volume, and in the author's preferred order, are all the Viriconium stories, originally published in four books: The Pastel City, A Storm of Wings, In Viriconium and Viriconium Nights.

*WINNER OF THE GOLDSMITHS PRIZE 2020* *A New Statesman Book of the Year* 'A mesmerising, mysterious book . . . Haunting. Worrying. Beautiful' Russell T. Davis 'Brilliantly unsettling' Olivia Laing 'A magificent book' Neil Gaiman 'An extraordinary experience' William Gibson Winner of the Goldsmiths Prize 2020, this is fiction that pushes the boundaries of the novel form. Shaw had a breakdown, but he's getting himself back together. He has a single room, a job on a decaying London barge, and an on-off affair with a doctor's daughter called Victoria, who claims to have seen her first corpse at age thirteen. It's not ideal, but it's a life. Or it would be if Shaw hadn't got himself involved in a conspiracy theory that, on dark nights by the river, seems less and less theoretical... Meanwhile, Victoria is up in the Midlands, renovating her dead mother's house, trying to make new friends. But what, exactly, happened to her mother? Why has the local waitress disappeared into a shallow pool in a field behind the house? And why is the town so obsessed with that old Victorian morality tale, The Water Babies? As Shaw and Victoria struggle to maintain their relationship, the sunken lands are rising up again, unnoticed in the shadows around them.