Anleitungen und neues Wissen rund um Graffiti-Schablonen und Street Art
"Stencil Graffiti" von Tristan Manco beleuchtet die Schablonentechnik und die neue Generation von Street-Art-Künstlern. Es bietet Einblicke in das weltweite Phänomen, politische Kunst, Design und Aktivismus. Als "How-to"-Guide liefert das Buch praktische Anleitungen und inspiriert zur eigenen kreativen Entfaltung.
With interest in graffiti and street art at a record high, the time is ripe for the first-ever volume to reveal the working methods and private fixations of more than 60 leading international street artists through their personal sketchbooks. Artists' sketchbooks offer exclusive access into the creative processtheir dog-eared, paint-splattered, sometimes crumbling pages have an intimate and visceral appeal. Street Sketchbook includes never-before-seen works by new and acclaimed figures such as Banksy (UK), Alexander Purdy (US), and more, as well as sketches that have formed the basis of large public works. Ingenious throughout, these sketchbooks epitomize the audacious originality of vision that defines the street art scene today.
A sequel to the Street Sketchbook in which Tristan Manco continues his
exploration of the secret world of sketchbooks by tracing artists creative
journeys, from the initial idea to its development.
Focussing on street and graffiti artists, this book showcases a diversity of working methods, approaches and personal fixations, including declarations of love, typographic explorations, alter egos, storyboards, mythological creatures, anatomical studies, architectural drawings and extreme doodling.
The newest development in alternative the use of salvaged and repurposed materials by contemporary artists. Tristan Manco reveals how artists of all kinds are bringing creativity to basic, often unglamorous materials―from broken bottles, old flip-flops, and skateboards to sustainable resources such as wood, straw, and paper. Through hundreds of illustrations, in-depth artist profiles, and detailed discussions of various materials, he showcases the work of more than thirty innovative and inspiring artists from around the world, from the United States, Mexico, Brazil, and Chile to the UK, Spain, France, and Italy. Some of the artists have invented new techniques―American artist Rosemarie Fiore uses fireworks to create paintings―while others have pushed the envelope in the presentation of their work by creating fresh, dynamic forms of display. Whether it is Chilean artist Carlos Zuniga’s creative use of text pages from found books and directories or Brazilian sculptor Henrique Oliveira’s ambitious organic forms in salvaged plywood, the book highlights how imaginative approaches to media and technique encourage us to look at the world in new ways. 350+ color illustrations
The egyptian revolution that began on 25 january 2011 immediately gave rise to a wave of popular political and social expression in the form of graffiti and street art, phenomena that were almost unknown in the country under the old regime mia grondahl, a noted photographer, has followed and documented the constantly and rapidly changing graffiti art of the new egypt from its beginnings, and here in more than 430 full-colour images celebrates the imagination, the skill, the humour and the political will of the young artists and activists who have claimed the walls of cairo and other egyptian cities as their canvas punctuated by interviews with some of the individual artists whose work has broken fresh ground
Here is a report from the trenches on the most exciting and original graffiti
scene to emerge in the past decade. From extraordinary creative extremes
generated amidst urban deprivation to crafted murals at their most elaborate,
Graffiti Brasil offers both stunning photography and in-depth history and
insight from world authorities on the subject.
Dieses Buch verschafft einen großartigen Einblick in das Wesen des Graffiti und zeigt seine kreative Explosion in den vergangenen 35 Jahren. Gehen Sie mit auf eine abenteuerliche Graffiti-Reise durch Amerika und Europa und in fast jeden Winkel des Globus. Bilder von mehr als 2 000 Kunstwerken von über 180 internationalen Künstlern machen dieses Buch zu einem umfassenden Graffiti-Band. Nicholas Ganz verbindet seine eigenen Erfahrungen mit Zitaten der Künstler, um aus der Perspektive des Insiders die wichtigtsen Trends und die stilistischen Entwicklungen zu beleuchten, die Graffiti zu dem gemacht haben, was es heute ist: ein weltweites Phänomen.
The medieval world was a distinctive one, rich in change and diversity. This book brings together these disparate worlds to show one medieval world, stretching from Connacht to Constantinople and from Tynemouth to Timbuktu. This set of reconstructions presents the reader with the future of the medieval past, offering appraisals of the evidence and modern historical writing. Articles are thematically linked in four sections, exploring identities in the medieval world; beliefs, social values and symbolic order; power and power-structures; and elites, organisations and groups. This set of views from multiple perspectives conveys the liveliness of current approaches to studies in the field.