What Do They Do All Day In Heaven?
- 40 Seiten
- 2 Lesestunden
A little girl wonders what her sister does in heaven and what her life there is like.
Helen Thomas Bücher
Diese Autorin war eine angesehene Nachrichtenreporterin und Kolumnistin, die sich durch scharfen Intellekt und ein genaues Auge für die komplexe Welt der Politik auszeichnete. Ihre umfangreiche Karriere als Korrespondentin und Leiterin des Büros bot beispiellosen Zugang zu den höchsten Machtebenen. Sie dokumentierte entscheidende Momente der Geschichte und lieferte durchweg aufschlussreiche und wirkungsvolle Berichte.
The Stones of Fernand Pouillon
An Alternative Modernism in French Architecture
- 160 Seiten
- 6 Lesestunden
Focusing on the innovative contributions of Fernand Pouillon, this book offers a comprehensive exploration of his architectural legacy in the context of twentieth-century design. It features an analysis of his post-war urbanism and critiques of modernism by Jacques Lucan, along with insights into material construction by Adam Caruso. Additionally, Pouillon's own reflections on the role of contemporary architects are included. Central to the work are survey drawings and photographs showcasing his significant housing projects in Paris.
White House journalist for more than five decades chronicles her work covering all of the presidents since John F. Kennedy. Shares personal reminiscences of the U.S. leaders as well as of the first ladies. Bestseller.
Set against the backdrop of 1977 Melbourne, the narrative revolves around the chilling unsolved murders of two young women. As the investigation unfolds, the story delves into the impact of these brutal crimes on the community and the lingering questions that haunt those left behind. The tale explores themes of fear, loss, and the quest for justice in a city grappling with the shadows of violence.
Architecture in Islamic Countries
Selections from the Catalogue for the Second International Exhibition of Architecture Venice 1982/83
- 100 Seiten
- 4 Lesestunden
The second Venice Architecture Biennale, directed by Paolo Portoghesi, raised questions about a postmodernity throughout realms extending south and east from the Mediterranean, where modernity and decolonisation were converging. Though the exhibition on architecture in Islamic countries was largely forgotten, these questions are ever more relevant. Selected texts by Portoghesi, Medhi Kowsar and Udo Kultermann from the original exhibition catalogue, which was published only in Italian, are translated for the first time for an English-speaking readership and accompanied by commentary.00Following an introduction by the editor, Esra Akcan reflects on the historical and socio-political contexts of the exhibition. In addition, Asli Çiçek and Véronique Patteeuw consider the catalogue itself from an architectural history perspective. Together, this historical and contemporary material suggests starting points for investigating this broadly overlooked biennale.0