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Alasdair Gray

    28. Dezember 1934 – 29. Dezember 2019

    Ein schottischer Autor, dessen Werke eine fesselnde Mischung aus Realismus, Fantasie und Science-Fiction darstellen. Sein innovativer Schreibansatz, oft ergänzt durch eigene Illustrationen und einzigartige Typografie, macht seine Schöpfungen zu Meilensteinen der postmodernen Literatur. Verglichen mit literarischen Größen wie Kafka und Borges, erforschen seine Romane und Kurzgeschichten tiefgründige Themen und haben eine Generation schottischer Schriftsteller inspiriert. Grays Werk zeugt von seinem visionären Geist und seiner einzigartigen Weltsicht.

    Alasdair Gray
    Janine, 1982
    Arme Dinger
    Zehn mal Lug & Trug
    Einer, der Geschichte macht
    Lederhaut
    Lanark. Ein Leben in vier Büchern
    • Alasdair Gray's remarkable retelling of Dante's Divine Comedy; this edition brings Gray's Hell, Purgatory and Paradise together into a single edition for the first time

      Dante's Divine Trilogy2022
    • The Fall of Kelvin Walker

      • 160 Seiten
      • 6 Lesestunden

      From the genius of Scottish letters, a satire of religion, the media and London

      The Fall of Kelvin Walker2021
      4,3
    • PARADISE

      • 144 Seiten
      • 6 Lesestunden

      The final book from the late Alasdair Gray - the conclusion to his remarkable interpretation of Dante's Divine Comedy

      PARADISE2020
    • Every Short Story, 1951-2012

      • 933 Seiten
      • 33 Lesestunden

      An authoritative collection of Alasdair Gray's stories gathered over the last twenty five years.

      Every Short Story, 1951-20122012
      4,2
    • Lanark

      • 592 Seiten
      • 21 Lesestunden

      Set in the disintegrating cities of Unthank and Glasgow, this modern vision of hell tells the interwoven stories of two men: Lanark and Duncan Thaw. As the Life in Four Books unfolds, the strange, buried relationship between Lanark and Thaw slowly starts to emerge. Lanark is a towering work of the imagination and is the culmination of twenty-five years of work by Gray, who also illustrated and designed the novel. On its first publication it was immediately recognised as a major work of literature, and drew comparisons with Dante, Black, Joyce, Orwell, Kafka, Huxley and Lewis Carroll. Thirty years on, its power, majesty, anger and relevance has only intensified.

      Lanark2011
      4,0
    • How We Should Rule Ourselves

      • 57 Seiten
      • 2 Lesestunden

      This pamphlet is for anyone alarmed by the present British government. It argues that the component nations of the United Kingdom can become true democracies only by declaring themselves republics. The authors are Alasdair Gray, writer of fiction and pamphlets such as Why Scots Should Rule Scotland, and Adam Tomkins, Professor of Public Law in the University of Glasgow and author of Public Law and Our Republican Constitution. Both are committed republicans.

      How We Should Rule Ourselves2005
      3,9
    • Lanark : a life in four books

      • 560 Seiten
      • 20 Lesestunden

      This novel is a work of extraordinary imagination and wide range. Its playful narrative techniques convey a profound message, both personal and political, about humankind's inability to love and yet our compulsion to go on trying.

      Lanark : a life in four books2002
      4,2
    • S podtitulem „Život ve čtyřech knihách“ se Lanark, autobiografická fantazie a moderní vize pekla zasazená do rozpadajících se měst Unthank a Glasgow, kombinující různé literární žánry, stala literární senzací a román je považován za stěžejní dílo moderní skotské literatury a srovnáván s Joyceovým Odysseem. Prosadil se hned při prvním vydání v roce 1981 a od té doby se dočkal mnoha reedic a cizojazyčných vydání. Podle slov jednoho kritika je to „sága města, kde je realita asi tak stejně spolehlivá jako hodinky Salvadora Dalího“.

      Lanark. Život ve čtyřech knihách2002
      4,0
    • The Book of Prefaces

      • 640 Seiten
      • 23 Lesestunden

      'Grandly conceived, gorgeously realised, and sparklingly alert to the making not just of works of art, but of a language, this crammed compendium, so copiously yet lightly learned, so drolly self-reflexive, yet enticingly accessible, so exhilaratingly, quixotically magniloquent, is the last word in forewords.' Herald

      The Book of Prefaces2002
      4,5