Martín Prechtel Bücher

Following the acclaimed Secrets of The Talking Jaguar and Long Life, Honey in the Heart , this is an expansive, lyrical novel in the tradition of indigenous oral storytelling. Based on the author's many years of living in a Guatemalan village, Stealing Benefacio's Roses interweaves dramatic recountings of village life and the political horrors of civil war with lyric retellings of sacred Mayan myths. The story shifts expertly from timeless, with archetypal characters like Raggedy Boy and the goddess known as the Water-Skirted Beauty, to timely in the book's striking first-person narrative set in the 1980s. Prechtel shows how ancient myths can become a part of life for everyone and help nurture spiritual survival in the modern world. Though it comes third in sequence with the author's other two books, Stealing Benefacio's Roses also stands on its own as a classic work of spiritual seeking and adventure.

Martín Prechtel’s experiences growing up on a Pueblo Indian reservation, his years of apprenticing to a Guatemalan shaman, and his flight from Guatemala’s brutal civil war to life in the U.S. inform this lyrical blend of memoir, cultural commentary, and spiritual call to arms. The Unlikely Peace at Cuchumaquic is both an epic story and a cry to the heart of humanity based on the author’s realization that human survival depends on keeping alive the seeds of our “original forgotten spiritual excellence.” Prechtel relates our current state of ecological crisis to the rapid disappearance of biodiversity, indigenous cultures, and shared human values. He demonstrates how real human culture is exterminated when real (not genetically modified) seeds are lost. Like plants that become extinct once their required conditions are no longer met, authentic, unmonetized human cultures can no longer survive in the modern world. To “keep the seeds alive”—both literally and metaphorically—they must be planted, harvested, and replanted, just as human culture must become truly engaging and meaningful to the soul, as necessary as food is to the body. The viable seeds of spirituality and culture that lie dormant within us need to “sprout” into broad daylight to create real sets of cultures welcome on Earth.

Beautiful and hilarious, tearful and rambunctious, very real, ironic and magic-filled, Martín Prechtel’s new book The Mare and the Mouse is a series of lyrical sagas in tribute to each of the native New Mexican horses that carried him through his youth on the Reservation and then again during the difficult times following his return home after over a decade in the Mayan Highlands of Guatemala. First in the Stories of My Horses Series, The Mare and the Mouse is meant to be read aloud to crowds around campfires, especially to people who are mistaken that only rich people or rednecks ride horses, Prechtel credits both his own physical and spiritual survival in “modernity’s mad rush to nowhere” with the sanity of riding and living with his natural-born Southwestern horses. Not raised for show, performance, status, or money, these little horses allowed a way of living that took him flying over ravines into deep-mountain Holy places, backwards over streams, and in general keeping alive a sparkier, older spirit in an age where horses have been grossly de-natured and sadly removed from our own everyday lives after three millennia as the closest companions of our ancestors’ dreams and mythologies.

The Canyon Wren is the continuation and beautiful punchline of the full tale of Martín Prechtel’s trilogy, The Story of My Horses, and picks up right where The Wild Rose leaves off. This third book in the trilogy brings the story far away from all those troubled times, ins and outs, and hardships and betrayals involved in the author’s effort to gather up those old style Indian Ponies of his youth, and heads us back out into the wild land and the beauty of ranchito New Mexico, where as an integral part of the lives of his new family, their family herd of rare Spanish/Native New Mexico horses play out a series of unexpected peculiarities and surprising horse antics that push the envelope of what mainstream culture has come to assume defines horses and the people that have them. If the first book, The Mare and the Mouse, is like finding a closed treasure chest, and the second book, The Wild Rose, is the retrieval of the lost keys to that chest, then The Canyon Wren is the treasure itself. Everyone wants life to be simple, but a simple life cannot be lived in a simple way: it takes a lot of simple skills. To see the humor and beauty in the world is one of those skills.

The narrative centers on an ancient Guatemalan Tzutujil Mayan tale about the Tall Girl, who weaves the world, and her celestial parents, the Sun and the Moon. As her suitors are rejected, a mysterious hummingbird-man attempts to win her over. Martin Prechtel enriches this story with 28 evocative illustrations and a multi-layered analysis that draws out timeless wisdom, making the tale relevant to contemporary readers. His deep understanding of Mayan culture and language adds authenticity to this poetic retelling.

Raised on a Native American reservation in New Mexico, Martin Prechtel wandered as a young man throughout the landscapes of Mexico and Guatemala. Drawn in his dreams to the traditional Mayan community of Santiago Atitlan, he carved a life for himself among the villagers. Though an outsider himself, Prechtel was adopted as an apprentice by a powerful ancient Shaman. He married a Mayan woman and became a village chief and famous Shaman in his own right - entrusted with the rich legacy of Atitlan's ancient Mayan heritage and its deepest spiritual traditions.

A collection of quotes and sayings from the oral teachings of a leading thinker, writer and teacher of Indigenous spirituality.Martín Prechtel is widely recognized as a profound and beloved teacher for our times. Raised in the Tzutujil Maya shamanic tradition, he has dedicated his life to the preservation and promulgation of indigenous spirituality. Rescuing the Light is a collection of Prechtel's quotes and sayings spanning the course of fifteen years, and recorded at Bolad's Kitchen, a four-year course in New Mexico where students from all walks of life gather to receive hands-on training in language, history, cooking, farming, and crafts. An artist, musician, and storyteller, Prechtel teaches and initiates with passion and eloquence, awakening his students to the sacred realities present everywhere and at all times. The quotes of wisdom and inspiration collected in these pages are earth-centric and animist. Divided into thematic sections, they range from the poetic and witty to the serious and direct. Sharing his deep shamanic wisdom within a grand overview of human history, Prechtel shows us how we can reconnect with the unique and unsuspected manifestations of our own sacred selves.

"Inspiring hope, solace, and courage in living through our losses, author Martín Prechtel, trained in the Tzutujil Maya shamanic tradition, gives a series of teachings on the relationship between grief and praise in our culture--how the inability that many of us have to grieve and weep properly for the dead is deeply linked with the inability to give praise for living. In modern society, grief is something that we usually experience in private, alone, and without the support of a community. Yet, as Prechtel says, "Grief expressed out loud for someone we have lost, or a country or home we have lost, is in itself the greatest praise we could ever give them. Grief is praise, because it is the natural way love honors what it misses." Prechtel explains that the unexpressed grief prevalent in our society today is the reason for many of the social, cultural, and individual maladies that we are currently experiencing. According to Prechtel, "When you have two centuries of people who have not properly grieved the things that they have lost, the grief shows up as ghosts that inhabit their grandchildren." These "ghosts," he says, can also manifest as disease in the form of tumors, which the Maya refer to as "solidified tears," or in the form of behavioral issues and depression. He goes on to show how this collective, unexpressed energy is the long-held grief of our ancestors manifesting itself, and the work that can be done to liberate this energy so we can heal from the trauma of loss, war, and suffering. At base, this "little book," as the author calls it, can be seen as a companion of encouragement, a little extra light for those deep and noble parts in all of us"-- Provided by publisher

In The Mare and the Mouse, the first book in the Stories of My Horses trilogy, Martín Prechtel sets loose his mystical memoir of a few mixed-breed horses who transform into allies of mythic proportions by his one-of-a-kind style of maneuvering through the rugged beauty of New Mexico. Together, they out-canter disillusionment and bitter despair, coursing into a dawn of beauty and humor. This second book, The Wild Rose, continues the saga of re-finding the horses of Prechtel's reservation-youth, which were assumed extinct, along with all the wild vicissitudes, truly magical happenings, and unique pre-cowboy Southwestern horse knowledge. This is the account of his struggle to gather a herd of these old-time Barb horses, who in the process become counselors and co-conspirators in the cause. The Wild Rose chronicles what it takes for Indigenous beauty and wild vitality to live, disappear, reappear, revive, and thrive in the modernity's unsympathetic clatter, and seems to hint the self-spinning condition of today's mindset is a spiritual illness that can cease being the relentless oppressor of Nature, open land, and Naturalness in People, and re-find its own health and nobility of soul