Kelly Grovier Bücher

Der international renommierte Künstler Sean Scully (*1945) ist vor allem für seine abstrakten, expressiv gemalten Werke bekannt. Der Künstler schafft großformatige Gemälde mit intensiver Farbauftragung und groben Pinselstrichen; oft treten karierte oder gestreifte Muster hervor, wodurch die Ästhetik des geometrischen Minimalismus reproduziert wird. In der Ausstellung Sean Scully: Eleuthera wird Sean Scully und seine Kunst von einer viel privatere Seite gezeigt. Im Mittelpunkt der Ausstellung steht die Serie „Eleuthera“ aus den Jahren 2016–17, in der Scully ein sehr vertrautes Thema untersucht. Die Serie besteht aus fünfundzwanzig großformatigen Ölgemälden, die Oisín, den siebenjährigen Sohn des Künstlers, zeigen, wie er am Strand von Eleuthera, einer Insel in den Bahamas, spielt. Die begleitende Veröffentlichung präsentiert diese neue Werkgruppe zum ersten Mal.

Der Fokus liegt auf einem innovativen Ansatz, der die Relevanz eines äußerst populären Künstlers beleuchtet und dessen Einfluss auf die zeitgenössische Kunstwahrnehmung untersucht. Das Buch bietet tiefgehende Einblicke in die Kunstwelt und regt zur Auseinandersetzung mit aktuellen Themen und Trends an, die durch das Werk des Künstlers geprägt sind.

Published for the 56th Venice Biennale, a complete monograph devoted to the Irish-born American-based painter and printmaker who has twice been named a Turner Prize nominee. ?Born in Dublin, Ireland, in 1945, Sean Scully has gained international prominence as one of the most admired contemporary abstract painters today. Fusing the traditions of European painting with the distinct character of American abstraction, Scully’s great achievement is the reinvigoration of abstract painting with the metaphorical, the philosophical, and the sublime combined with the earthy tangibility of paint. From his precisely gridded works of the 1970s to the three-dimensional panels of the 1980s and his now celebrated Wall of Light paintings from the 1990s, this volume gathers the entire oeuvre of the artist, whose work is held in numerous public collections including the Metropolitan Museum of Art, MoMA, and Solomon R. Guggenheim Museum, New York; the National Gallery of Art, Corcoran Gallery of Art, and Hirshhorn Museum and Sculpture Garden, Washington, DC; Modern Art Museum of Fort Worth, Texas; and the Tate, London.

A new take on the history of art through the eyes of the international phenomenon that is Banksy.

A new way of appreciating art that puts the artwork front and centre, brought to us by one of the freshest and most exciting new voices in cultural criticism.

An extensive, accessible guide to the most groundbreaking and influential art from 1989 to the present The years since the collapse of the Berlin Wall in November 1989 have seen the rise of a new freedom to define art—Who makes it? Where can it be found? What is its commercial value?—and, consequently, the reevaluation of art’s place in society. Kelly Grovier surveys the dynamic developments in art practice worldwide since 1989, focusing on artists whose fresh visual vocabulary and innovation reflect these past turbulent decades. The book’s ten chapters examine the key themes in contemporary art—portraiture in the age of face transplants and facial recognition software, political activism, science, and religion, to name a few—by artists including Jeff Koons, Louise Bourgeois, Damien Hirst, George Condo, Marlene Dumas, Sean Scully, Cindy Sherman, Banksy, Ai Weiwei, Antony Gormley, Christo and Jean-Claude, Jenny Holzer, Chuck Close, and Cornelia Parker. A chapter-length timeline at the end of the book traces the evolution of art from 1989 to today by closely examining one key artwork from each year. Illustrated with the work of over 200 key artists, Art Since 1989 is a lucid and engaging look at what may prove to be one of the more tempestuous eras in human history, if not the history of art.

Just as Picasso's 'Guernica' or Gericault's 'Raft of the Medusa' survive as powerful cultural documents of their time, there will be works from our own era that will endure for generations to come. But which ones? Which contemporary artworks best capture the zeitgeist of the late 20th and early 21st centuries? This book, written by one of the new voices in cultural criticism, predicts which artists and artworks from the past two decades will come to define our age through their power to question, provoke and inspire