Kurt Andersen Bücher

»Das postfaktische Zeitalter ist kein unerklärliches und verrücktes neues Phänomen. Im Gegenteil: Was wir jetzt sehen, ist nur die Spitze des Eisberges«, schreibt Kurt Andersen in seinem aufsehenerregenden Buch Fantasyland. Der Hang zum Magischen und Fantastischen, so der preisgekrönte Kulturjournalist, ist tief in die kollektive DNA der Amerikaner eingeschrieben. Er entstand, als europäische Siedler erstmals den Boden der »Neuen Welt« betraten, im Gepäck vor allem eins: ausgeprägten Individualismus und Lebensträume und Fantasien von epischem Ausmaß. Mitreißend und eloquent erzählt Andersen vom großen amerikanischen Experiment – und warum es so spektakulär scheiterte. Wer verstehen will, wie die Grenze zwischen Realität und Illusion derart verrutschen und ein Mann wie Donald Trump es ins Weiße Haus schaffen konnte, muss dieses Buch lesen.

Ein berauschender Roman über die Geburtsstunde des modernen Amerika 1848: Zu Hunderttausenden strömen Einwanderer im Hafen von New York von Bord der aus Europa kommenden Dampf- und Segelschiffe. Darunter auch Benjamin Knowles, der der alten Welt den Rücken gekehrt hat, um sich in Amerika neu zu erfinden. Sofort gerät er in den Sog des Großstadtgewimmels, verliebt sich haltlos in die Schauspielerin Polly und folgt schließlich ihr und dem großen Goldrausch nach Kalifornien. Ein kolossales Gemälde vom Anbruch einer neuen Epoche.

Americans have disabled the government's ability to solve even basic problems, making us vulnerable to the most dangerous demagogue ever to pretend to the White House. Kurt Andersen shows how the masterminds of the economic right rode an unprecedented wave of nostalgia by dressing up their harsh new rich-get-richer system in patriotic old-time drag, making it their mission to take over the government for their purposes alone and convincing the country that the mid-century consensus about the function of the American government was all wrong. Only a writer with Andersen's crackling energy, deep intelligence, and ability to see complex systems with clarity could make such a vital book both intellectually formidable and completely entertaining. In his diagnosis of what happened and what it means for us today, Andersen spares no one, committing to a pinpointing of his own boomer generation as accessories to the great dismantling of the American experiment

Kurt Andersen's Millennium novel mirrors Tom Wolfe's "Bonfire of the Vanities," depicting a year in the life of a New York family while offering a satirical glimpse into America's potential future, focusing on media and big business.

"The joy of fiction is the joy of the imagination. . . ." The best stories engage readers, compelling them to turn pages in anticipation of what comes next. Great literature is defined by its imagination, as demonstrated in this exceptional anthology, which redefines the boundaries of imaginative fiction. It features contributions from renowned writers like Peter Straub, Chuck Palahniuk, Roddy Doyle, and Joyce Carol Oates, among others, showcasing their craft and challenging misconceptions about genres. Curated by Neil Gaiman and Al Sarrantonio, who personally selected each story, the anthology sets a high standard for this "new literature of the imagination." The collection aims to present familiar themes in fresh, illuminating ways. Notable tales include Joe Hill's disturbing exploration of evil in "Devil on the Staircase," Lawrence Block's unique take on fishing in "Catch and Release," and Carolyn Parkhurst's dark sibling rivalry in "Unwell." Joanne Harris introduces ancient gods in modern New York in "Wildfire in Manhattan," while Richard Adams's "The Knife" delves into vengeance. Jeffery Deaver's "The Therapist" features a psychologist on a mission to save lives, and Neil Gaiman's chilling "The Truth Is a Cave in the Black Mountains" offers a haunting punishment for a grave crime. This visionary volume will transform readers’ perspectives and ignite a renewed appreciation for exceptional fiction.