Robert Harrison Bücher

Im Himmel herrscht große Aufregung. Gott der Herr hat beschlossen, auf der Erde eine ganz besondere Mission durchzuführen: Sein Sohn soll selbst als Mensch geboren werden und die Errettung der Welt einleiten. Die Engel sind entsetzt. Einer von ihnen, Oriel, hält in seinem Tagebuch die Entwicklung der Dinge fest. Die Organisation des Auftrags liegt in den Händen der Erzengel und Engel, die sich alle Mühe geben, alle Gefahrenquellen auszuschalten. Trotzdem geht manches schief, und am Schluss scheint das Unternehmen schließlich ganz gescheitert zu sein. Mit Witz und Tiefgang erzählt „Oriels Tagebuch“ die Geschichte Jesu aus einer ganz neuen Perspektive. Der Text lehnt sich dabei eng an das Lukasevangelium an. Ein Buch, das Neugierige und Bibel-Unkundige gleichermaßen in seinen Bann zieht!

In a wide-ranging exploration of the role of forests in Western thought, Harrison enriches our understanding not only of the forest's place in the cultural imagination of the West, but also of the ecological dilemmas that now confront us so urgently. Illustrations.

In The Dominion of the Dead, Robert Pogue Harrison explores the many places where the dead cohabit the world of the living - the graves, images, literature, architecture, and monuments that house the dead in their afterlife among us. This elegantly conceived work devotes particular attention to the practice of burial.

"Surveys the history of British involvement in the Middle East, from commercial influence to formal empire"--

Focusing on the evolution of progressivism, this book delves into the political transformations that shaped the modern American state. It examines key movements and figures that influenced policy changes, reflecting on how these developments have impacted contemporary governance and society. Through a critical analysis, the author presents a comprehensive view of the ideological shifts that have defined American politics.

One of the crowning achievements of medieval literature, The Song of Roland tells the story of the battle of Roncesvals in 778 and enters into the very soul of a gallant, brutal, and tumultuous age. At the center of this heroic epic is Roland, the supreme embodiment of the chivalric ideal who leads his men into combat and fights valiantly to the death. But Roland is just one of the superbly defined figures in the panoramic drama. The poem’s vivid portrayals of Ganelon’s treason, Roland’s last stand, Charlemagne’s campaign of vengeance, and the final act of retribution are justly famous. Equally fascinating is the sophisticated use of repetition and juxtaposition that gives this work its remarkable organic unity and time-defying dimension of vision. As Robert Harrison, the translator of this acclaimed edition, explains, “The carefully balanced structure of The Song of Roland is designed like a folding mirror to reflect the battle between Good and Evil at all levels of meaning.” Quite possibly the oldest and surely the greatest chanson de geste, The Song of Roland is a sophisticated and enduring work that remains a masterpiece to this day. Translated and with an Introduction by Robert Harrison And an Afterword by Guy Gavriel Kay

Macbeth is one of the greatest plays ever written, but Shakespeare's depiction of Macbeth bears little resemblance to the truth. The real Macbeth lived in a time of constant battle between those Scots who followed the Celtic system of electing the King, and those who followed the English system of Inheriting the crown in the direct line of succession. Macbeth and Duncan were both grandsons of King Malcolm, but when the King named Duncan as his successor, it caused great resentment, resulting in a protracted war between the clans. When Duncan proved to be a weak and foolish King, the stage was set for a final battle that would come to define Scotland and its people for generations. In 'Macbeth, the last Celtic King', the fog of history is finally lifted, and the true Macbeth is revealed.