The Chronicles of Downton Abbey, carefully pieced together at the heart and hearth of the ancestral home of the Crawleys, takes readers deeper into the story of every important member of the Downton estate. This new book focuses on each character individually, examining their motivations, their actions, and the inspirations behind them
Matthew Sturgis Bücher






Walter Sickert
- 784 Seiten
- 28 Lesestunden
The first major life of the outstanding British painter - and Jack the Ripper suspect - Walter Sickert (1860-1942), by the highly acclaimed biographer of Aubrey Beardsley.
The first major biography of Oscar Wilde in thirty years is the most complete telling of his life and times to date.
Aubrey Beardsley
- 404 Seiten
- 15 Lesestunden
The finest modern biography of the draughtsman and asthete who revolutionised English art in six short years
Passionate Attitudes
- 320 Seiten
- 12 Lesestunden
Matthew Sturgis examines the varying extents to which ambitious poets, penurious painters, canny publishers and a controversialist press all conspired to promote the notion of decadence in the 1890s.
Tosca's Christmas
- 28 Seiten
- 1 Lesestunde
An illustrated story of Tosca the cat's exploits on Christmas eve.
Abigail McLellan
- 136 Seiten
- 5 Lesestunden
Abigail McLellan (1969-2009) was known for her pared-down images that were set against richly-worked backgrounds of saturated colour. This limited edition of 100 incorporates a new, original colour etching produced exclusively for this publication from an image created by the artist and authenticated by the artist's widower, Alastair Wallace. The print is packaged with the book in a slipcase. Born in Middlesbrough, McLellan's family moved to Scotland when she was thirteen and her education was concluded at the Glasgow School of Art. McLellan's vision, for all its individuality, drew strongly upon the traditions of Scottish - and, particularly, Glaswegian - art. Her striking simplifications of form and her bold sense of design owed much to Charles Rennie Mackintosh and his circle. More contemporary influences included Joan Eardley and Craigie Aitchison.Yet McLellan's vision was very much her own and in her quest to create a comparable intensity of colour she evolved a highly personal technique, building up layer upon layer of translucent, quick-drying acrylic paint in short, stippled strokes.