The Records of the Virginia Company of London Volume; Volume 4
- 676 Seiten
- 24 Lesestunden
Diese Autorin taucht tief in umfangreiche Archive und Sammlungen ein und nutzt diese als Grundlage für ihre literarischen Bestrebungen. Ihre Arbeit erforscht die Tiefen von Geschichte und Kultur und deckt verborgene Erzählungen und Zusammenhänge auf. Das Schreiben der Autorin zeichnet sich durch akribische Recherche und Detailgenauigkeit aus und bietet den Lesern eine einzigartige Perspektive auf die Welt des Wissens. Ihr literarischer Ansatz wird von dem Wunsch angetrieben, komplexe Informationen für ein breiteres Publikum zu beleuchten und zu interpretieren.






Journey back to colonial America with this collection of documents from one of the most influential and controversial companies of the era. The Virginia Company of London played a pivotal role in the settlement of Jamestown and the establishment of English colonies in North America. Through letters, charters, and other primary sources, this book offers a unique glimpse into the hopes, fears, and aspirations of the early colonizers.
California Gold offers a compelling cultural snapshot of a diverse California during the 1930s at the height of the New Deal, drawing on the career of folk music collector Sidney Robertson and the musical culture of often-unheard voices. Robertson—an intrepid young woman armed only with a map, her notebooks, and the recording equipment of the time—proposed and directed a New Deal initiative, the WPA California Folk Music Project, designed to survey musical traditions from a wide range of English-speaking and immigrant communities in Northern California. In California Gold, Catherine Hiebert Kerst explores Robertson's distinctive and modern approach to fieldwork and examines the numerous ethnographic documentary materials she generated with WPA project staff to capture a cross-section of the music that people were actively performing in their communities. Kerst highlights some of the most notable songs, images, and ephemera of the collection, capturing and contextualizing the diverse musical traditions that California immigrant communities performed during the New Deal era. Kerst also foregrounds the ethnographic insights and accomplishments of a significant woman folk music collector who has received less attention than she deserves.