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Stephen Koch

    8. Mai 1941

    Stephen Koch ist ein Autor, dessen Werke sich mit den komplexen Aspekten menschlicher Beziehungen und moralischer Zwickmühlen auseinandersetzen. Sein Schreiben zeichnet sich durch scharfe Einblicke und die Fähigkeit aus, verborgene Motivationen von Charakteren aufzudecken. Leser schätzen seine Gabe, sie in tiefgründige psychologische Erkundungen und literarische Reflexionen einzubeziehen. Kochs Herangehensweise an die Fiktion ist geprägt von einem ausgeprägten Verständnis für erzählerisches Handwerk.

    The Breaking Point
    Hitler's Scapegoat
    The Accidental Sexist
    Double Lives. Stalin, Willi Münzenberg and the Seduction of the Intellectuals
    Peter Hujar
    • The Accidental Sexist

      A handbook for men on workplace diversity and inclusion

      • 236 Seiten
      • 9 Lesestunden
      3,5(2)Abgeben

      Focusing on the role of allies in creating an inclusive workplace, this guide emphasizes the importance of participation from all employees, particularly men. It addresses common uncertainties about actions to take and the significance of inclusivity, providing practical insights and encouragement for those looking to make a positive impact in their work environment.

      The Accidental Sexist
    • Hitler's Scapegoat

      • 272 Seiten
      • 10 Lesestunden
      3,5(2)Abgeben

      New B-format paperback edition. How Hitler used the murder of a Nazi diplomat to blame the Jews for WW2, based on new archive sources.

      Hitler's Scapegoat
    • The Breaking Point

      Hemingway, Dos Passos, and the Murder of José Robles

      • 308 Seiten
      • 11 Lesestunden
      3,9(6)Abgeben

      The thrilling story of friends Ernest Hemingway and John Dos Passos in the Spanish Civil War, an ideological adventure that brought their friendship-and their literary rivalry-to the breaking point. The Spanish Civil War was a flashpoint for many artists of the era, and the political left's romance with its cause led many creative luminaries to Spain, perhaps most notably Ernest Hemingway. John Dos Passos, widely regarded at the time as the literary voice of America's new socially engaged generation-his face was on the cover of Time the week the war broke out-was also among the important writers to make the trip to Spain. Dos Passos and Hemingway were longtime companions, and it is likely that mild-mannered Dos was oblivious to Hemingway's obsessive resentment of him. Anyway, the two men arrived in Spain as comrades of a sort. The Breaking Point reveals that both Hemingway and Dos were in Spain as part of a group sponsored by Stalin's propaganda ministry. Then Dos's close friend Jose Robles Pazo was killed as a purported fascist spy. Dos could never accept Robles's guilt, putting him at odds with Hemingway and placing his politics (and literary reputation) into question. history-in-miniature, The Breaking Point explores the time the two men shared in Spain, and how it affected each man, his work, and American literature as a whole.

      The Breaking Point