Chloe Aridjis Reihenfolge der Bücher

Nahui Olin was a celebrated artist, writer and muse during the cultural renaissance of Mexico City in the 1920s, who died impoverished and alone. In this captivating essay, Chloe Aridjis explores the artist’s shifting fortunes and seismic passions through her relationships with the men who tried to capture her. Taking her name from the Aztec sign of cosmic movement, Nahui Olin’s life was one of fire and tempest, gunpower and great heights, revolution and alchemy. An essential read for anyone interested in the lives of female artists. Chloe Aridjis is a Mexican writer based in London. She is the author of three novels, Book of Clouds, which won the Prix du Premier Roman Etranger in France, Asunder, set in London’s National Gallery, and Sea Monsters, which was awarded the 2020 PEN/Faulkner Award for Fiction. Chloe has written for various art journals and was guest curator of the Leonora Carrington exhibition at Tate Liverpool. She was awarded a Guggenheim Fellowship in 2014 and the Eccles Centre & Hay Festival Writers Award for 2020. Chloe is a member of XR Writers Rebel, a group of writers who focus on addressing the climate emergency. This is the fifth book in the Words for Portraits series, which also features titles from Claire-Louise Bennett, Joanna Walsh and Will Ashon. Words for Portraits invites authors to write about a portrait of their choice.

A collection of short stories, essays and pen portraits by the renowned Mexican writer Chloe Aridjis.

One autumn afternoon in Mexico City, seventeen-year-old Luisa does not return home from school. Instead, she boards a bus to the Pacific coast with Tomas, a boy she barely knows. He seems to represent everything her life is lacking recklessness, impulse, independence. Tomas may also help Luisa fulfill an unusual obsession: she wants to track down a traveling troupe of Ukrainian dwarfs. According to newspaper reports, the dwarfs recently escaped a Soviet circus touring Mexico. The imagined fates of these performers fill Luisa's surreal dreams as she settles in a beach community in Oaxaca. Surrounded by hippies, nudists, beachcombers, and eccentric storytellers, Luisa searches for someone, anyone, who will promise, no matter what, to remain a mystery. It is a quest more easily envisioned than accomplished. As she wanders the shoreline and visits the local bar, Luisa begins to disappear dangerously into the lives of strangers on Zipolite, the Beach of the Dead. Meanwhile, her father has set out to find his missing daughter. A mesmeric portrait of transgression and disenchantment unfolds. Sea Monsters is a brilliantly playful and supple novel about the moments and mysteries that shape us

Marie's job as a museum guard at the National Gallery in London offers her the life she always wanted, one of invisibility and quiet contemplation.

Eine junge mexikanische Jüdin, ein alter Historiker und ein ehemaliger Ameisenzeichner und Wolkenspezialist treffen aufeinander – und die Konturen der Welt beginnen sich aufzulösen. Tatiana hat es eher zufällig aus Mexiko-Stadt nach Berlin verschlagen. Empfindsam für historisch belastete Orte wie für Wetterphänomene, durchstreift sie auf einsamen Spaziergängen die Stadt und beginnt schließlich, die Notizen des Stadthistorikers Weiss zu transkribieren. Über ihn trifft sie auf den Meteorologen Jonas Krantz, der schon als Kind in der DDR in der Flüchtigkeit der Wolken über Berlin Trost fand. Doch jeder der drei ist für eine Freundschaft zu spröde, und lebendiger als die Menschen, denen Tatiana begegnet, sind für sie die Geister Berlins: Von einer überfüllten U-Bahn, in der Hitler als alte Frau verkleidet erscheint, über eine unterirdische Kegelbahn der Gestapo, an deren Wände Spielstände aus längst vergangenen Partien angeschrieben sind, bis zu einem unerklärlichen Nebel, der alles verschluckt, führt uns Chloe Aridjis durch eine unruhige Stadt und verwischt die Linien zwischen Wirklichkeit und Vorstellung. Mit traumlogischem Surrealismus lässt Buch der Wolken uns spüren, dass Städte, genau wie Menschen, ihrer Vergangenheit nicht entkommen können.