Judy Chicago Bücher
- Judy Chicago






Forty pages of full-color artwork, black-and-white photographs, and four gatefold spreads mark an account of the creation of Judy Chicago's powerful evocation of the horror of the Holocaust in a work of art called Holocaust Project.
Institutional Time: A Critique of Studio Art Education
- 256 Seiten
- 9 Lesestunden
Judy Chicago offers an insightful autobiographical perspective on higher education in art, drawing from her experiences as a revered teacher and a leading feminist artist. This work serves as an essential resource for aspiring artists and educators in studio art programs, highlighting the intersection of art and feminism while providing valuable lessons and inspiration for future generations.
Frida Kahlo
- 252 Seiten
- 9 Lesestunden
Mythos Frida Kahlo – Ihre Kunst, Ihr Leiden, Ihre Liebe Frida Kahlo (1907-1954) war als Frau und Künstlerin ihrer Zeit weit voraus. Die überzeugte Marxistin entwickelte autodidaktisch einen einzigartigen Malstil: Von ihren 143 Bildern sind 55 Selbstbildnisse, in denen sich volkstümliche Anleihen ebenso finden wie Elemente des Surrealismus und der Neuen Sachlichkeit. Mutig und offen setzte sie sich darin mit Politik, Sexualität und körperlichem wie seelischem Leid auseinander. Judy Chicago und Frances Borzello fokussieren in diesem Band auf die Bedeutung Kahlos für die Frauen in der Kunst und laden zu einer differenziert-dynamischen Betrachtung ihres Werkes ein.
In this provocative and resonant autobiography, world-renowned artist and feminist icon Judy Chicago reflects on her extraordinary life and career.
"A collection of quotes from pioneering feminist artist Judy Chicago"--
A new work from Judy Chicago, fifty years in the making: Judy Chicago: Revelations is the work she thought would never see the light of day. Her captivating narrative combatting the erasure of women from history unites seamlessly with illustrations first made in the 1970s and new work in a striking, contemporary design. Revelations is the work that Judy Chicago believed would never be published: a radical retelling of human history in the form of an illuminated manuscript, recovering stories of women that society sought to erase. Begun alongside her iconic installation The Dinner Party in the mid-1970s, and drawing on her intensive research into goddess worship and women's history, Revelations is foundational to Chicago's decades-long practice. It is at once a vibrant narrative and a work of art, fifty years in the making. Publication coincides with an exhibition at the Serpentine, London, from 22 May to 1 September, Judy Chicago's first solo presentation in a major London institution.