Richard Brettell Bücher

One of the most significant—and least studied—forms of postwar art collecting in the United States has been the corporate collection. This beautiful book documents one of the most important and widely exhibited of these the collection of Sara Lee Corporation, fifty-two works selected from the personal collection of Sara Lee’s founder, Nathan Cummings.With major masterpieces ranging from an 1872 painting by Claude Monet to a 1964 bronze by Henry Moore, the Sara Lee Collection was assembled in 1980, five years before Cummings’s death. Since then it has been exhibited in or made loans to many museums throughout the world. In 1998, the corporation announced an unprecedented gift of the entire collection to a group of forty art museums, twenty-five in the United States and fifteen in international cities in which Sara Lee Corporation has a major presence. This Millennium Gift is the largest single gift to the arts in American history and the first to include institutions outside the United States.This book discusses the Nathan Cummings Collection, the Sara Lee Collection, and the Millennium Gift. It also includes an essay on each of the fifty-two works that places the work in the context of the artist’s oeuvre, proposes new interpretations, and discusses the position of the art in the collections of the recipient museums throughout the world. Lavishly illustrated, the book also provides more than 200 comparative photographs.

A thought-provoking discussion on the concept of beauty in works by Manet, Gauguin, and Cezanne.

An investigation of the impressions, or painted sketches, that were actually done on the spot in France between 1860 and 1890. The book also surveys the various practices of individual artists in the making, signing, exhibiting and selling of impressions.