Michael Muhammad Knight ist ein amerikanischer Romanautor, dessen Werke vor allem junge Muslime ansprechen und ihn als bedeutenden kulturellen Provokateur etablieren. Sein Schaffen zeichnet sich durch einen mutigen, experimentellen Ansatz aus, der oft mit Gonzo-Journalismus verglichen wird und ihn zu einer einzigartigen Stimme in der islamischen Literatur macht. Er setzt sich mit komplexen Themen auseinander, wobei er Dringlichkeit und Hoffnung miteinander verbindet, was ihm Anerkennung als notwendiger und zukunftsorientierter Schriftsteller einbrachte. Knights unverwechselbarer Stil und seine Bereitschaft, Konventionen in Frage zu stellen, machen seine Prosa für Leser, die authentische und aufschlussreiche Perspektiven suchen, fesselnd.
Michael Knight, geboren 1970 in Alabama, unterrichtete an der Hollins University in Virginia. Für seine Kurzgeschichten erhielt er mehrfach renommierte literarische Auszeichnungen. "Die Wassergängerin" ist sein erster Roman. Michael Knight lebt in Charlottesville, Virginia.
Exploring the complexities of American family life, this collection showcases ten poignant stories where ordinary individuals face extraordinary challenges. Through themes of fragile relationships and the pursuit of connection, the author delves into the nuances of love, misunderstanding, and the human experience. With a blend of empathy and insight, the tales highlight the transformative power found in life's small struggles, offering a mix of unpredictability, sorrow, and triumph. Each narrative serves as a reminder of the intricacies of being alive.
""There is always an atheism to be extracted from a religion," Deleuze and Guattari write in their final collaboration, What Is Philosophy? Their claim that Christianity "secretes" atheism "more than any other religion," however, reflects the limits of their archive. Theological projects seeking to engage Deleuze remain embedded within Christian theologies and intellectual histories; whether they embrace, resist, or negotiate with Deleuze's atheism, the atheism in question remains one extracted from Christian theology, a Christian atheism. In Sufi Deleuze, Michael Muhammad Knight offers an intervention, engaging Deleuzian questions and themes from within Islamic tradition. Even if Deleuze did not think of himself as a theologian, Knight argues, to place Deleuze in conversation with Islam is a project of comparative theology and faces the challenge of any comparative theology: It seemingly demands that complex, internally diverse traditions can speak as coherent, monolithic wholes. To start from such a place would not only defy Islam's historical multiplicity but also betray Deleuze's model of the assemblage, which requires attention to not only the organizing and stabilizing tendencies within a structure but also the points at which a structure resists organization, its internal heterogeneity, and unpredictable "lines of flight." A Deleuzian approach to Islamic theology would first have to affirm that there is no such thing as a universal "Islamic theology" that can speak for all Muslims in all historical settings, but rather a multiplicity of power struggles between major and minor forces that contest each other over authenticity, authority, and the making of "orthodoxy." The discussions in Sufi Deleuze thus highlight Islam's extraordinary range of possibilities, not only making use of canonically privileged materials such as the Qur'an and major hadith collections, but also exploring a variety of marginalized resources found throughout Islam that challenge the notion of a singular "mainstream" interpretive tradition. To say it in Deleuze's vocabulary, Islam is a rhizome"-- Provided by publisher
Set against the backdrop of World War II's Pacific theater, this historical fiction delves into the intricate interplay between politics and personal relationships shaped by the harsh realities of war. Michael Knight's masterful economy of language enhances the emotional depth and complexity of the narrative, making it a compelling exploration of human connections amidst tragedy.
Exploring themes of love, reconciliation, and the complexities of everyday life, this collection features characters who confront their vulnerabilities while discovering inner strength. The stories range from a subtle romance involving an ornithologist and a driftwood carver to a daring narrative about Confederate soldiers reflecting on their fabled leader. With a blend of tenderness, humor, and empathy, the author captures the dualities of human experience, revealing both the beauty and the struggles inherent in relationships and personal growth.
Analysing classical Muslim literary representations of Muhammad's body as they emerge in Sunni hadith and sira from the eighth to the eleventh centuries, Michael Muhammad Knight argues that early Muslims' theories and imaginings about Muhammad's body contributed in significant ways to the construction of prophetic masculinity and authority.
Michael Knight excels in crafting short stories that authentically capture the pace of life, providing readers with both insight and entertainment. His writing is marked by a deep understanding of human experiences, making each narrative resonate with authenticity and depth.
Highlighting the vibrant tapestry of art, culture, and history, this book delves into the essence of China's most dynamic city. It showcases the city's evolution and its role as a cultural hub, offering insights into its rich heritage and contemporary significance. Through captivating visuals and engaging narratives, readers will explore the unique characteristics that define the city and its impact on both national and global stages.