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Linda Williams

    Screening Sex
    Porn Studies
    Death Comes for the Deconstructionist
    On The Wire
    The Little Old Lady Who Was Not Afraid of Anything
    Hard-Core
    • Once upon a time, there was a little old lady who was not afraid of anything! But one autumn night, while walking in the woods, the little old lady heard...clomp, clomp, shake, shake, clap, clap.And the little old lady who was not afraid of anything had the scare of her life! With bouncy refrains and classic art, this timeless Halloween story is perfect for reading aloud.

      The Little Old Lady Who Was Not Afraid of Anything
    • In this sophisticated examination of the HBO serial drama that aired from 2002 until 2008, Linda Williams, a leading film scholar and authority on the interplay between film, melodrama, and issues of race, suggests what exactly it is that makes The Wire so good. She argues that its narrative power derives from its genre, popular melodrama.

      On The Wire
    • 4,1(192)Abgeben

      When Jon Mote is hired to investigate the murder of his erstwhile mentor, literary star Richard Pratt, the grad school dropout feels woefully unequal to the task. Skittering on the edge of madness, his only source of hope is the dogged love of his developmentally disabled sister, Judy, who serves as cheerleader, critic and moral compass.

      Death Comes for the Deconstructionist
    • Porn Studies

      • 516 Seiten
      • 19 Lesestunden
      4,0(94)Abgeben

      A collection of contemporary work on pornographic film and video, edited by one of the founders of the field.

      Porn Studies
    • For many years, kisses were the only sexual acts to be seen in mainstream American movies. This title investigates how sex acts have been represented on screen for more than a century and, just as important, how we have watched and experienced those representations.

      Screening Sex
    • Viewing Positions

      Ways of Seeing Film

      • 308 Seiten
      • 11 Lesestunden

      On visual perception in film and human subjectivity

      Viewing Positions