Forms of practice

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During the 1980s and 1990s, German-Swiss architecture gained global recognition for its constructional and aesthetic coherence, characterized by an ethical orientation that sought stability in response to postmodern relativism. Irina Davidovici explores the cultural and theoretical conditions surrounding this architecture as interconnected aspects of a singular artistic phenomenon. Through in-depth case studies and topical essays, she illustrates the main themes, offering an external perspective informed by her multicultural background to highlight the international significance of this architectural movement. The work reveals the underlying tensions between shared values and individual expression, as well as the balance between artistic integrity and economic interests. Davidovici's analysis emphasizes the complexities of this architecture, showcasing how it navigated the challenges of its time while maintaining a coherent identity. The exploration of these themes sheds light on the broader implications of German-Swiss architecture, making it a vital subject for understanding the evolution of architectural practices in a changing cultural landscape.