Zainichi Cinema

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Focusing on the evolution of transnational Korean-in-Japan cinema since the 1960s, this book explores a diverse range of films, from major studio yakuza films to personal video essays. It highlights the increasing visibility of Zainichi-themed works by contemporary filmmakers at international festivals. Central to the discussion is the tension between films that assert a clear representation of the Korean diaspora and those that challenge viewers to interpret their significance. This analysis sheds light on the complexities of identity and representation within this unique cinematic landscape.