Revolution 3.0

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From the visual politics of FRELIMO in Mozambique to the activism of Le Balai Citoyen in Burkina Faso, images play a crucial role in envisioning futures and social utopia. Revolutions, as moments of radical change, are propelled by images, both online and offline. This raises questions about the 'seismographic power' of images and the sustainability of icons from past upheavals, such as the portraits of Thomas Sankara and Samora Machel. What possibilities do images present, and what is lost in the creation of 'new' images? How do the visual tactics of both analogue and digital protesters shape and create visual and multimedia archives? This collection features a diverse range of papers from international researchers and artists examining the interplay between images and revolution, primarily within the African context. Various artistic media, including photography, public art, performance, and fashion, are explored, alongside the relationship between visual culture and politics in countries like Mozambique, Angola, and Burkina Faso. Contributions come from a variety of scholars and artists, offering insights into the complex dynamics of imagery and activism.