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The powers of speech

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In this definitive study, David Bathrick examines East German culture before and after the fall of the Berlin Wall in November 1989. He argues that dissident East German writers uniquely sought to create "alternative spaces for public speech" within the framework of Marxism and state socialism. Bathrick notes that while these writers faced censorship and persecution, they were also privileged and nurtured, which defined a distinct intellectual identity in the GDR. His analysis covers a wide range of topics, comparing oppositional culture in East Germany to radical movements elsewhere, exploring the complex political and cultural dynamics between East and West Germany, and tracing the history of the East German avant-garde. He also discusses the challenges of establishing a revolutionary theatrical tradition in East Germany. The book offers nuanced insights into the collapse of the East German political order in the late 1980s and the controversial collaboration of some writers with the Stasi. Bathrick navigates these contentious issues with clarity and fairness, addressing themes that remain relevant in Germany and beyond today.

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The powers of speech, David Bathrick

Sprache
Erscheinungsdatum
1995
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(Hardcover)
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Titel
The powers of speech
Sprache
Englisch
Autor*innen
David Bathrick
Erscheinungsdatum
1995
Einband
Hardcover
ISBN10
0803212585
ISBN13
9780803212589
Reihe
Bewertung
3,5 von 5 Sternen
Beschreibung
In this definitive study, David Bathrick examines East German culture before and after the fall of the Berlin Wall in November 1989. He argues that dissident East German writers uniquely sought to create "alternative spaces for public speech" within the framework of Marxism and state socialism. Bathrick notes that while these writers faced censorship and persecution, they were also privileged and nurtured, which defined a distinct intellectual identity in the GDR. His analysis covers a wide range of topics, comparing oppositional culture in East Germany to radical movements elsewhere, exploring the complex political and cultural dynamics between East and West Germany, and tracing the history of the East German avant-garde. He also discusses the challenges of establishing a revolutionary theatrical tradition in East Germany. The book offers nuanced insights into the collapse of the East German political order in the late 1980s and the controversial collaboration of some writers with the Stasi. Bathrick navigates these contentious issues with clarity and fairness, addressing themes that remain relevant in Germany and beyond today.