The Social and Religious Designs of J. S. Bach's Brandenburg Concertos

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Focusing on Bach's Brandenburg Concertos, this investigation delves into their musical, social, and religious implications, revealing how they challenge rather than simply reflect eighteenth-century musical hierarchies. By examining contemporary music theory and alternative interpretations of "concerto," the author argues that the concertos form a thoughtfully organized collection rather than a random assortment of instrumental pieces. This perspective highlights the complexities of Bach's work and its significance within the context of the era's conventions.