Grown but not made

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Focusing on the intersection of British Modernist sculpture and modern biology, this critical history explores how sculptors engaged with biological concepts and practices. It delves into the influence of scientific advancements on artistic expression, examining key figures and movements within the context of their time. The book offers insights into the ways in which biological ideas shaped the aesthetics and themes of Modernist sculpture, providing a unique perspective on the evolution of art in relation to scientific thought.