Colour

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Focusing on the often-overlooked aspect of film aesthetics, this monograph offers an in-depth analysis of cinematic color across various decades and countries. By examining films like Three Colours: White and The Green Ray, it presents innovative methods for interpreting and appreciating color in cinema. The study highlights how color interacts with other stylistic elements such as camerawork, editing, and music, encouraging readers to gain a new perspective on the visual language of film.