Between Modernism and Conceptual Art

Mehr zum Buch

The 1980s art criticism landscape was heavily shaped by market dynamics, leading to an imbalance in media coverage. Wealthy investors and collectors could elevate mediocre exhibitions, resulting in disproportionate attention from influential New York publications reliant on advertising from galleries and luxury brands. This focus on market-driven art often overshadowed more innovative or meaningful works of the decade, raising questions about the true value and significance of art during this period.