"Good Invention Repaid With Interest"

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Exploring the practices of borrowing and parody in Bach's compositions reveals insights into the musical culture of the eighteenth century. The book examines how Bach, often under tight deadlines, drew inspiration from his own earlier works and those of contemporaries like Handel and Vivaldi to create new music efficiently. It delves into scholarly interpretations of these practices, suggesting they reflect broader views on composition and performance during that era, highlighting a shared approach among composers of the time.