Affirming the Absurd in Harold Pinter

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Wong utilizes Martin Esslin's concept of the Theatre of the Absurd to explore the complexities of Pinter's plays. By doing so, the author challenges traditional interpretations, encouraging readers and audiences to engage with the deeper intricacies and themes present in Pinter's work. This examination provokes a reevaluation of established analyses, highlighting the innovative aspects of Pinter's theatrical contributions.