Samuel Beckett and the question of God in Waiting for Godot

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The paper examines the groundbreaking nature of 'Waiting for Godot,' first performed on January 5, 1953. It highlights the play's unique departure from traditional drama, focusing on the ironic theme of waiting for a character who never arrives. The analysis delves into the implications of this nonappearance on the two main protagonists, showcasing how the work redefined theatrical expectations and audience engagement in the 20th century.