Althusser and Pasolini

Exploring the intersection of philosophy and cinema, this work delves into the connections between Louis Althusser's theories and Pier Paolo Pasolini's films. It highlights critiques of ideology, religion, and class struggle while integrating insights from thinkers like Spinoza, Hegel, Marx, and Zizek. By applying Althusserian concepts to Pasolini's cinematic oeuvre, the author offers a fresh perspective on both Althusser's philosophy and Pasolini's artistic vision, revealing the depth of ideological engagement within Pasolini's work.