Hacia Calderon

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This collection features a range of scholarly essays exploring various aspects of Calderón's works. It begins with an examination of manuscripts from the Munich Staatsbibliothek, followed by a bibliography update on Psalle et sile. The translation of sacramental autos by Joseph von Eichendorff is discussed, along with an analysis of the Baroque elements in Calderón's writing. The transition from literary Mannerism to Baroque style in Calderón's dramas is explored, as well as the relationship between his comedies and the neoclassical system. The role of storytelling within Calderón's comedies is examined, alongside themes of clandestine love in his dramatic social world. The ideological critiques present in his honor-themed plays are also analyzed. Further contributions include a study of logical-rhetorical structures in "El príncipe constante," an exploration of imagery and symbolism in "La devoción de la Cruz," and the imaginative portrayal of Semíramis. The collection also addresses the beginnings of Calderón's texts, focusing on the use of imperatives in literary language, the forms of address in his theater, and the pronominal syntax and dramatic form within his works.