Diese Serie taucht tief in das Wesen der Schönheit ein und erforscht Themen wie Wahrnehmung und Selbstakzeptanz. Durch reiche Charakterentwicklung und evokative Prosa lädt sie die Leser ein, über ihre eigenen Schönheitsdefinitionen nachzudenken. Mit Seelenfülle, aber ohne Sentimentalität, bieten diese Werke eine tiefgründige Untersuchung eines universellen Themas.
Exploring the essence of beauty, this profound story delves into themes of perception and self-acceptance. The narrative unfolds through rich character development and evocative prose, inviting readers to reflect on their own definitions of beauty in a soulful yet unsentimental manner. The author's acclaimed writing style enhances the emotional depth, making it a compelling read for those seeking a thoughtful examination of this universal theme.
Set in the United States, Spain, and Mexico, Jamil relocates from Mexico to Los Angeles to save for surgery to remove a birthmark covering nearly half her body. In LA, she becomes adopted by Señor Peregrino, who has recently left a mental hospital after a long stay. He carries deep sorrow for his lost love, Rosa, whom he met during a pilgrimage to Santiago de Compostela in Spain. Jamil feels a mysterious connection to their intertwined destinies, despite Rosa having been dead for over 40 years. Nurse B., the manager of the mental hospital where Peregrino was treated, adds complexity to their story, as she is also his wife, casting a shadow over Jamil's quest for understanding. Parallel to Jamil's journey is Rosa's story, set many years earlier in the Spanish village of Sombrevista in La Mancha. Rosa grows up in a troubled household with an unemployed, alcoholic father and a mother who works as a washerwoman. Rosa's birthmark, which stretches from her neck down her back and legs, is seen as a curse, preventing her sisters, Manuela and Nina, from finding husbands. Despite Rosa's beauty, her birthmark is believed to be linked to the devil, creating a stigma that affects her family’s prospects. As a result, they are forced to move, burdened by the weight of Rosa's perceived guilt and the societal implications of her condition.