A. S. Byatt Reihenfolge der Bücher (Chronologisch)

A landmark collection of poetry by one of Latin America's most important living writers.

Byobu reveals a rich inner world, one driven by its meticulous attention to our rich outer one.

A luminous selection of short stories from the Booker prize-winning A. S. Byatt, celebrating over thirty years of writing With an introduction by David Mitchell Byatt takes her readers to a place that is rich in ideas, vivid in colour and wholly unforgettable. Mirrors shatter at the hairdressers when a middle-aged client explodes in rage. Snow dusts the warm body of a princess honing it into something sharp and frosted. Summer sunshine flickers on the face of a smiling child who may or may not be real. Peopled by artists, poets and fabulous creatures, these stories travel from the ancient mythic world to an English sweet factory, a Chinese restaurant to a Mediterranean swimming pool, a Turkish bazaar to a fairy-tale palace. Blazing with creativity, they show what lies beneath the veneer of the ordinary, and reveal the fantastical possibilities beyond. 'A cabinet of curiosities... Glitteringly beautiful' Sunday Times 'A cerebral extravaganza, bristling with ideas' Spectator 'Moving, witty and shocking' Sunday Telegraph

A revised edition of the publisher’s inaugural publication in 1990, which won the Pandora Award from Women-in-Publishing. Inspirational in its original format, this new edition features poems, stories, essays and interviews with over 30 women writers, both emerging authors and luminaries of contemporary literature such A.S. Byatt, Saskia Calliste, April De Angelis, Kit de Waal, Carol Ann Duffy, Sian Evans, Philippa Gregory, Mary Hamer, Jackie Kay, Shuchi Kothari, Bryony Lavery, Annee Lawrence, Roseanne Liang, Suchen Christine Lim, Jackie McCarrick, Laura Miles, Raman Mundair, Magda Oldziejewska, Kaite O’Reilly, Jacqueline Pepall, Gabi Reigh, Djamila Ribeiro, Fiona Rintoul, Jasvinder Sanghera, Anne Sebba, Kalista Sy, Debbie Taylor, Madeleine Thien, Claire Tomalin, Ida Vitale, Sarah Waters and the great-niece of Virginia Woolf -Emma Woolf. Together with the original writing workshops plus black and white illustrations. Guest editor Ann Sandham has compiled the new collection to celebrate Aurora Metro’s 30th anniversary as an independent publisher; 20% of profits will to go to the Virginia Woolf statue campaign in the UK. -- Cheryl Robson ― Publisher

This ravishing book opens a window onto the lives, designs, and passions of two charismatic artists. Born a generation apart, they were seeming opposites: Mariano Fortuny, a Spanish aristocrat thrilled by the sun-baked cultures of Crete and Knossos; William Morris, a British craftsman, in thrall to the myths of the North. Yet through their revolutionary inventions and textiles, both men inspired a new variety of art, as vibrant today as when it was first conceived. Acclaimed writer A.S. Byatt traces their genius right to the source. The Palazzo Pesaro Orfei in Venice is a warren of dark spaces leading to a workshop where Fortuny created his designs for pleated silks and shining velvets. Here he worked alongside the French model who became his wife and collaborator, including on the 'Delphos' dress - a flowing gown evoking classical Greece. Morris's Red House, outside London, with its Gothic turrets and secret gardens, helped inspire his stunning floral and geometric patterns; it also represented a coming together of life and art. But it was Kelmscott Manor in the English countryside that he loved best - even when it became the setting for his wife's love affair with Dante Gabriel Rossetti. Generously illustrated with the artists' beautiful designs - pomegranates and acanthus, peacock and vine - A.S. Byatt brings the visions and ideas of Fortuny and Morris dazzlingly to life.

Über eine Ehebrecherin und Selbstmörderin »Das Erscheinen von ›Madame Bovary‹ war eine Umwälzung für die gesamte Literatur. Die neue Kunst hatte ihre Grammatik gefunden.« Emile Zola Die reiche Bauerntochter Emma Rouault – schön, jung und von romantischer Sinnlichkeit – heiratet den biederen Landarzt Charles Bovary und geht mit ihm in ein armseliges Nest. Vor der Monotonie des Alltags und der dumpfen Betriebsamkeit ihres Mannes flieht sie in die Scheinwelt der Bücher und Tagträume, die bald zum Lebensersatz wird. Die erste reale Berührung mit der vermeintlich schöneren Welt bei einem festlichen Diner löst denn auch eine Nervenkrise aus. Damit beginnt eine Entwicklung, die Emma in amouröse Abenteuer und zum Ehebruch treibt und vom nur geträumten zum wirklichen Doppelleben führt: Unlösbar in Schuld und Schulden verstrickt, vergiftet sie sich. Mit ›Madame Bovary‹ schuf Flaubert den modernen realistischen Roman, der bei seinem Erscheinen 1856 den Staatsanwalt auf den Plan rief und noch heute durch seine Radikalität herausfordert.

Performing a deft metaphorical evisceration of Sigmund Freud’s classic 1919 essay that delved deeply into the tradition of horror writing, this freshly contemporary collection of literary interpretations reintroduces to the world Freud’s compelling theory of das unheimliche —or, the uncanny. Specifically designed to challenge the creative boundaries of some of the most famed and respected horror writers working today—such as A. S. Byatt, Christopher Priest, Hanif Kureishi, Frank Cottrell Boyce, Matthew Holness, and the indomitable Ramsey Campbell—this anatomically precise experiment encapsulates what the uncanny represents in the 21st century. Masterfully narrated with the benefit of unique perspectives on what exactly it is that goes bump in the night, this chilling modern collective is not only an essential read for fans of horror but also an insightful and intriguing introduction to the greats of the genre at their gruesome best.

When Queenie elopes with a recently widowed neighbour her family are uniformly shocked, and a window on adult life and relationships is opened for her step-sister. A summertime stay with the newlyweds in Toronto yields further insight into the lives of couples, but also causes confusion. Part of the Storycuts series, this short story was previously published in the collection Hateship, Friendship, Courtship, Loveship, Marriage .