Indigenous peoples, recording techniques, and the recording industry

**********Contents: **Articles * Karl Neuenfeldt: Notes on the Engagement of Indigenous Peoples with Recording Technology and Techniques, the Recording Industry and Researchers * Beverley Diamond: „Allowing the Listener to Fly as They Want to“: Sami Perspectives on Indigenous CD Production in Norhern Europe * Ase Ottoson: "We're Just Bush Mob„: Producing Aboriginal Music and Maleness in a Central Australian Recording Studio * Brian Diettrich: Across All Micronesia and Beyond: Innovation and Connections in Chuukese Popular Music and Contemporary Recordings * Karl Neuenfeldt: “Bring the Past to Present„: Recording and Reviving Rotuman Music via a Collaborative Rotuman/Fijian/Australian CD Project * Katelyn Barney: Sending a Message: How Indigenous Australian Women use Contemporary Music Recording Technologies to Provide a Space for Agency, Viewpoints and Agendas * Dan Bendrups: Easter Island Music and the Voice of Kiko Pate: A Biographical History of Sound Recording * Denis Crowdy: Studios at Home in the Solomon Islands: A Case Study of Homesound Studios, Honiara * James E. Cunningham: The Nammys Versus the Grammys: Celebrity, Technology, and the Creation of an Indigenous Music Recording Industry in North America * Jeniffer Cattermole: “Fiji Blues?": Taveuni and Qamea Musicians’ Engagements with Recording Technologies ****Book Reviews (Helena Simonett, ed.) * Meilu Ho: Judith Becker, Deep Listeners: Music, Emotion, and Trancingi> * Wenwei Du: Jonathan P. J. Stock, Huju: Traditional Opera in Modern Shanghai * Carole Pegg: Theodore Levin, Where Rivers and Mountains Sing: Sound, Music, and Nomadism in Tuva and Beyond * Anthony Potoczniak: Timothy Cooley, Making Music in Polish Tatras: Tourists, Ethnographers, and Mountain Musicians * Eleanor T. Lipat: Dusadee Swangviboonpong, Thai Classical Singing: Its History, Musical Characteristics and Transmission * Melvin L. Butler: Karen E. Richman, Migration and Vodou * Rolf Groesbeck: Richard K. Wolf, The Black Cow’s Footprint: Time, Space, and Music in the Lives of the Kotas of South India * Steven Knopoff: Allan Marett, Songs, Dreamings, and Ghosts: The Wangga of North Australia **Recording Reviews (Dan Bendrups, ed.) * Barley Norton: A Review Essay on Recordings of Music from Vietnam * Robert G. H. Burns: Under the Leaves. Matlby, UK: Hallamshire Traditions **About the Contributors