Imperial Projections

Exploring the intersection of colonialism and early filmmaking, this book analyzes how German films from the colonies emerged during a time of economic stagnation and scandal. It highlights the efforts of organizations like the Deutsche Kolonialgesellschaft to reshape the narrative around the colonies, fostering a positive image through film. These works not only evoked patriotic sentiments but also engaged audiences as adventurers and cultural participants, marking a unique genre in the burgeoning film industry. This is the first comprehensive study of this phenomenon in the Wilhelmine Era.