2001: A Space Odyssey and Lacanian Psychoanalytic Theory

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Exploring the intersection of cinema and psychoanalysis, this study examines Stanley Kubrick's 2001: A Space Odyssey alongside Jacques Lacan's theories. It expands on Lacan's late topological insights and concepts of desire from thinkers like Hegel and Kojève. Key themes include the significance of cuts, space, silence, surreality, and the enigmatic monolith, offering a profound analysis that resonates with academics, psychoanalysis practitioners, and Kubrick enthusiasts alike.