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Jani Ojala

    What Mynos Saw
    The Top 100 Albums of the 1960s
    Overbite. Notes of a Summer in Captivity
    They Sang for That Island. New Sand for Old Glass, Prequel No. 2
    Broken Shadows
    The Coleman Stories
    • The Coleman Stories explores six harrowing tales of inter-generational violence and the quest for purpose within a destructive legacy. The narrative follows William Coleman, a boy grappling with his violent upbringing, and delves into the lives of his family, showcasing their struggles, second chances, and the haunting impact of their past.

      The Coleman Stories
    • Broken Shadows

      New Sand for Old Glass: Part One

      • 480 Seiten
      • 17 Lesestunden

      Set in the 2030s, this narrative intertwines old-world magic with a modern struggle against human excess. Sammy Sieppi navigates a world where his boss's reclusive brother, Maskmaker, has uncovered the secret of life after death. The misuse of the Absolution-Spear by the Marston dynasty awakens Shotimamimu, a dream-owl who speaks only to a select few. Meanwhile, an experimental life-force named Nair emerges in Yakutia, Russia, prompting a desperate need for understanding as people face the threat of becoming his prey.

      Broken Shadows
    • In 1887, Marshall Marston seeks refuge in Mexico after the Civil War, aiming to guide his son Lori. As they journey southward to Panama's Saboga Island, devastated by a wave, they encounter a struggle for survival and power. Amidst a backdrop of family rivalry and ancient magic, a fierce battle unfolds, impacting future generations.

      They Sang for That Island. New Sand for Old Glass, Prequel No. 2
    • "Overbite" narrates the story of four criminals escaping a prison-transport bus crash in 2013. As they ponder their fate, they uncover the plans of their lawyer, Gabriel, and learn about the Sundberg brothers, who seek revenge on their parents. Through positive visualization, the convicts begin to find themselves amidst their struggles.

      Overbite. Notes of a Summer in Captivity
    • It was the decade my parents were born in. 1,700 albums I listened to, as research. 7 albums a day, with very few off-days, for roughly 1,5 years. Followed by spending a summer reading stories and backgrounds. 36 of these albums have a 10/10-rating from me; the other 64 sitting at 9.5/10. All in all this was way too selective. All in all I'm a little bit exhausted. Come over to the window, darling. I'd like to tell you about music.

      The Top 100 Albums of the 1960s
    • NEW SAND FOR OLD GLASS: First Prequel It's the year 800 and Mynos lives in his family's old home with his pet-wolf and pet-sheep. Their family was a staple of a growing farming-community in Southwest Finland. Now there's two of them left. Now, middle-brother Veros is the only one still looking after Mynos. Mynos is the town's shaman, a restless artist who acts as a bridge between people who see him either as clueless, or pure-at-heart. Tragedies have almost wiped out Mynos and Veros' family. Mynos refuses the older brother's torn-by-the-wild outlook, and secrets unravel as to how everybody got the way they are, while Mynos just... sits there. Sits there and carves, sits there and paints, sits there and talks, sits there... and wonders if he means anything at all. In his years as the town's top artist, Mynos has had the chance to brush up against all matter of proud people, but all that those experiences have provided him -- all that anything seems to provide him -- is making his introspection merely intensify. He wants to love. He refuses to hate the nearby owls as much as the Village Master does. He wants something that's made here in the close corners of his cold house, to stand the test of time. To have something to show for all these moments alone in his room. To live on, after he dies.

      What Mynos Saw