Mark Haworth-Booth Reihenfolge der Bücher (Chronologisch)

En la decada de 1990 Orozco realizo obras que tuvieron especial repercusion en el mundo del arte. En sus dos primeras exhibiciones individuales en Nueva York coloco naranjas en las ventanas de los edificios frente al Museo de Arte Moderno (Moma) y colgo una tapa de yogurt en cada muro de la Galeria Marian Goodman.

Bruce Bernard, a renowned picture editor, curated a unique collection of 100 photographs showcasing the best in photography history, from pioneers to twentieth-century masters. His selections emphasize images that evoke lasting stimulation and satisfaction, capturing the "magic of the medium" and photography's life-affirming qualities.

A groundbreaking book, the only volume of first-class reproductions of Lewis Carroll's photographs.Published on the one hundredth anniversary of the death of Charles Lutwidge Dodgson (Lewis Carroll), Reflections in a Looking Glass presents Carroll's remarkable photography. Richly illustrated, this important book presents seldom-seen works-most of them formal portraits and staged scenes that combine Carroll's famous childlike sense of play with the Victorian propriety that characterized his age.Also included in Reflections are selected drawings by Lewis Carroll and by John Tenniel, who illustrated the original Alice books. The central text by Morton N. Cohen, the world's leading authority on Lewis Carroll, provides an in-depth account of Carroll's experimentations in the new medium of photography. His hobby opened the door to many of his "child friends" as well as to leading artistic and literary figures of the day, all of whom came to Carroll's studio to sit for their portraits.Excerpts from Carroll's diaries combine with Cohen's annotated captions to make this book an invaluable resource. The book also includes a Preface by Mark Haworth-Booth, curator of photographs at the Victoria and Albert Museum. The Afterword is by Roy Flukinger, curator of photographs at the Harry Ransom Center, University of Texas, Austin, the source collection for much of the material in this extraordinary book.

Photofile: this series brings together the best work of worlds greatest photographers, in an attractive format. Each volume contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and full bibliography.

Acknowledged as a master of twentieth-century photography and the greatest British photographer, Bill Brandt left an indelible mark on the medium during a career that spanned more than 50 years. Trained in Man Ray's Paris studio, Brandt returned to England and produced a body of work that ranged from portraits of upper-crust society to views of the poverty of the industrial north. During the Blitz of World War II Brandt created an epic picture of blacked-out London, with images of bomb-damaged landmarks and residents sheltering in underground subway stations. After the war, he began a series of nude studies using lens distortions and unusual points of view to interpret the female form in new ways. He also photographed the movers and shakers of the English art scene, from Alec Guinness to David Hockney, and, for a series called Literary Britain , he toured the country tracking down landscapes that had been influential to important British writers.Mark Haworth-Booth, curator of photography at London's Victoria and Albert Museum, provides a contextual overview and information on Brandt's working methods and biography. David Mellor, professor of art history at the University of Sussex, offers cogent interpretations of the larger significance of Brandt's themes and preoccupations.