Rupert Brooke, Wilfred Owen, Isaac Rosenberg, and Charles Sorley all died in WWI. They came from diverse social, educational, and cultural backgrounds, but engagement with Greek and Roman antiquity was decisive in shaping their war poetry. This volume explores how, when, and why classical materials were so influential in these poets' work.
The texts, images and events of the ancient world have been used both as sources of authority and exploitation in politics, culture and society and as icons of resistance and contest. How classical culture is transplanted into new contexts, how texts are translated and performed and how Greek and Roman values are perceived and used continues to be a force in current debates. The main concepts and explanatory frameworks used in the field are introduced through chapters on reception within antiquity and case studies of more recent receptions from Africa, the Caribbean, Europe and the USA. The book will be of use to all those interested in the relationship between the arts, culture and society as well as to students and teachers of classical subjects and of literature, drama, film and comparative cultural studies.
This text examines the literary and cultural environment underlying the various kinds of translation of Greek and Latin literature, discussing the extent to which translations have been regarded as creative works in their own right and their impact in the work of modern writers. schovat popis