If you could press a button and one hundred thousand vulnerable citizens died instantly but the rest of the population of the planet was guaranteed prosperity, would you press that button? Chris never wanted to end up here. She's a proud woman and hates asking for help but when her condition deteriorated she had no choice but to claim disability benefits. Ralph believes in the new system. He knows it works. He knows it can work for Chris. He's here today, in her home, to assess her. To prove to her that there has been no mistake – she is fit and capable of working. Chris knows he is wrong. Knows her life will be over if his verdict stands. Can she persuade him to change his mind? And, if not, how far is she willing to go to save herself? Rob Drummond's Don't. Make. Tea. confronts the lengths disabled people must go to in order to preserve themselves in an unjust system. This edition was published to coincide with the Birds of Paradise Theatre Company UK tour, which opened in March 2024.
Dan Clayton Reihenfolge der Bücher



- 2024
- 2023
Why do we have different accents and where do they come from? Why do you say 'tomayto' and I say 'tomahto'? And is one way of speaking better than another? In You're All Talk, linguist Rob Drummond explores the enormous diversity in our spoken language to reveal extraordinary insights into how humans operate: how we perceive (and judge) other people and how we would like ourselves to be perceived. He investigates how and why we automatically associate different accents with particular social characteristics -- degrees of friendliness, authority, social class, level of education, race, and so on -- and how we, consciously or subconsciously, change the way we speak in order to create different versions of ourselves to fit different environments. Ultimately, You're All Talk demonstrates the beauty of linguistic diversity and how embracing it can give us a better understanding of other people -- and ourselves.
- 2021
Rob Drummond Plays with Participation
- 240 Seiten
- 9 Lesestunden
This is a play collection that examines the relationship between writer, audience and performer and their combined incorporation into the theatrical event. Written (and occasionally performed) by Rob Drummond in collaboration with director David Overend, it is a record of a long-term artistic partnership.