David Linton Bücher

The London West End revue emerged as a response to early 20th-century social and political insecurities in Britain, particularly concerning colonial rule and demands for reform. It utilized satire, parody, and social commentary to reflect the complexities of contemporary life, blending various performance arts like dance, music, and theatre. This multidisciplinary approach challenged traditional narratives and representations, resonating with both the intellectual avant-garde and the workers' theatre movement. The revue's unique style marked a shift from musical comedy, articulating a nuanced critique of a shifting British cultural landscape.

Though a biological characteristic, menstruation is also a complex social construction, one that men play an active role in creating via a process of "menstrual transactions." This book explores the means by which menstruation is given meaning through an examination of a wide variety of such transactions.