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Rey Chow

    Rey Chow ist eine chinesisch-amerikanische Kulturkritikerin, die sich auf chinesische Literatur und Film des 20. Jahrhunderts, postkoloniale Theorie und die Kritik der visuellen Kultur konzentriert. Ihre Schriften hinterfragen grundlegende Annahmen in akademischen und öffentlichen Diskursen über ethnische und kulturelle Identität und beleuchten problematische Darstellungen nicht-westlicher Kulturen und Minderheiten. Chow erforscht primär narrative und visuelle Formen durch eine interdisziplinäre Linse und untersucht deren Überschneidungen mit Moderne, Sexualität und Postkolonialität. Ihre aktuelle Forschung konzentriert sich auf das Erbe der poststrukturalistischen Theorie, die Politik der Sprache als postkoloniales Phänomen und sich entwickelnde Paradigmen des Wissens und der gelebten Erfahrung im digitalen Zeitalter.

    Primitive Passions
    Modern Chinese Literary and Cultural Studies in the Age of Theory: Reimagining a Field
    Sentimental Fabulations, Contemporary Chinese Films
    Entanglements, or Transmedial Thinking about Capture
    A Face Drawn in Sand
    The Rey Chow Reader
    • A Face Drawn in Sand

      Humanistic Inquiry and Foucault in the Present

      • 232 Seiten
      • 9 Lesestunden
      4,3(10)Abgeben

      Chow explores the intersection of leadership, innovation, and the humanities within contemporary Western universities, questioning the benefits and implications of current administrative discourses. Utilizing Foucault's concept of "outside," she critiques the biopolitics of literary studies and addresses issues such as race, sound, and self-entrepreneurship. Advocating for a nonutilitarian approach, she emphasizes the importance of processing diverse texts and forming viable arguments, ultimately urging a re-examination of knowledge production that values inquiry over predetermined answers.

      A Face Drawn in Sand
    • This follow-up volume to our book The Age of the World Target collects interconnected entangled essays of literary and cultural theorist Rey Chow. The essays take up ideas of violence, capture, identification, temporality, sacrifice, and victimhood, engaging with theorists from Derrida and Deleuze to Agamben and Ranciere.

      Entanglements, or Transmedial Thinking about Capture
    • What is the sentimental? How can we understand it by way of the visual and narrative modes of signification specific to cinema and through the manners of social interaction and collective imagining specific to a particular culture in transition? This book explores these questions through contemporary Chinese directors.

      Sentimental Fabulations, Contemporary Chinese Films
    • This collection features contributions from a diverse group of scholars, each offering unique perspectives on cultural studies and critical theory. The contributors explore various themes, including identity, globalization, and the intersection of culture and politics, providing a rich tapestry of insights into contemporary issues. Their interdisciplinary approaches encourage readers to engage with complex ideas and foster a deeper understanding of the cultural landscape.

      Modern Chinese Literary and Cultural Studies in the Age of Theory: Reimagining a Field
    • Chow situates contemporary Chinese film within the broad context of Chinese history and culture, giving readers a glimpse of the unique shared identity that characterizes the current crop of outstanding filmmakers, such as Chen Kaige and Zhang Yimou.

      Primitive Passions
    • Not Like a Native Speaker

      • 192 Seiten
      • 7 Lesestunden

      A riveting series of stories that portray the biopolitics of speaking and writing in a postcolonial world.

      Not Like a Native Speaker