"In Everything and Less, acclaimed critic Mark McGurl discovers a dynamic scene of literary experimentation in an unlikely location: in the realms of self-publishing created by Amazon. Reclaiming several works of self-published fiction from the abyss of critical disregard, McGurl offers a Copernican revolution in the world of letters: rather than giving central importance to the critically lionized highbrows-Colson Whitehead, Don DeLillo, Elena Ferrante, and Amitav Ghosh, among others-he discovers that their fiction orbits countless unknown authors forging a career through untraditional means"-- Provided by publisher
Mark McGurl Reihenfolge der Bücher (Chronologisch)


In "The Program Era, " Mark McGurl offers a fundamental reinterpretation of postwar American fiction, asserting that it can be properly understood only in relation to the rise of mass higher education and the creative writing program. McGurl asks both how the patronage of the university has reorganized American literature and even more important how the increasing intimacy of writing and schooling can be brought to bear on a reading of this literature.McGurl argues that far from occasioning a decline in the quality or interest of American writing, the rise of the creative writing program has instead generated a complex and evolving constellation of aesthetic problems that have been explored with energy and at times brilliance by authors ranging from Flannery O Connor to Vladimir Nabokov, Philip Roth, Raymond Carver, Joyce Carol Oates, and Toni Morrison.Through transformative readings of these and many other writers, "The Program Era" becomes a meditation on systematic creativity, an idea that until recently would have seemed a contradiction in terms, but which in our time has become central to cultural production both within and beyond the university.An engaging and stylishly written examination of an era we thought we knew, "The Program Era" will be at the center of debates about postwar literature and culture for years to come.