Exploring the intriguing yet grim realities of life with a small-time circus in 1920s America, this book delves into the unique experiences and challenges faced by its performers. Through vivid storytelling, it captures the vibrant atmosphere of the circus while revealing the personal struggles and dynamics of those who live on the fringes of society, offering a compelling glimpse into a bygone era.
The story follows a girl who, after murdering her deceitful step-father, embarks on a daring escape with a young vagabond. Disguised as a boy, they navigate a perilous journey that includes hopping freight trains, clashing with a band of hobos, and stealing a car, all while evading the police and aiming for Canada. Their adventure is filled with tension, camaraderie, and the struggles of survival on the run.
Exploring the harsh realities of life on the fringes, the narrative delves into Jim Tully's experiences with incarceration and the underbelly of society. The first eighteen chapters vividly depict the brutal conditions faced by drifters in hobo camps, boxcars, and jails. Through unflinching portrayals of bleak individuals and grim settings, the book captures the tribulations and hallucinations of men in jail, solidifying Tully's reputation as a chronicler of the darker aspects of the American experience.
The book provides a reflective look at various themes from Tully's earlier works, intertwining personal anecdotes with vivid storytelling. It features hobo tales, stories of Hughie Tully, and encounters with grifters, all reminiscent of his previous autobiographical narratives. A standout moment is the gripping account of the brutal 1906 World Lightweight title fight, showcasing Tully's talent for depicting raw, visceral experiences. Additionally, the chapter "Ladies in the Parlor" offers a compassionate portrayal of women in a brothel, highlighting their realities without idealization.